"[The Book of Goose] is mysterious, but it bears its mystery lightly, with Li’s understated style touching on large ideas―such as the unswerving quality of childhood friendships or the discordant relationship between time and memory . . . In moving from writing about the resoundingly 'empty words' of communist thought to the dilemmas in absolute freedom, Li seems to be exploring just this special way of knowing that the novel, in her expert hands, continues to offer."
―Anjum Hasan, Los Angeles Review of Books

“An atmospheric and evocative coming-of-age story.”
―Elizabeth Crachiolo, Historical Novel Society

“An interesting cassoulet of friendship, fantasy, and the predatory nature of fame . . . Yiyun Li presents her readers with a fascinating question: What is real ― the stories the world concocts about us or the ones we fabricate about ourselves?”
―Patricia Schultheis, Washington Independent Review of Books

“A magnificent, beguiling tale winding from the postwar rural provinces to Paris, from an English boarding school to the quiet Pennsylvania home where Agnès can live without her past. The Book of Goose is a story of disturbing intimacy and obsession, of exploitation and strength of will.”
―San Francisco Bay Times (Top of Your Stack)

“Take the knife that Li offers, cut through all these outer trappings, and you find something much more mysterious. Though it is ostensibly a realist historical novel about the lives of women and girls in mid-century France...The Book of Goose secretly dwells in the realm of fairy tale . . . [Li explores] the strange power of the myths we form about the people who shape us.”
―Sarah Chihaya, The Atlantic

“There is a fairy-tale atmosphere, mystery as deep and dark as the soil, but also specific historical context . . . Everything is conveyed through layers of translation, subjectivity and invention. The impact is profound.”
―Max Liu, The i Paper

“A novel of meticulous philosophical inquiry, roaming from the nature of reality and the truth quotient of fact, memory and fiction to the instantaneousness of childhood friendship – so much more ‘fatal’, as Agnès puts it, than the endlessly crooned about love at first sight.”
―Hephzibah Anderson, The Guardian

“This is a novel of deceptions and cruelty . . . But within this somber mood is something brilliant. With characteristic poise, Li depicts the intricacies of ordinary lives: childhood friendship, growing up, and existences as slow as the passively ‘floating’ geese Agnès watches.”
―Francesca Peacock, The Spectator

“Li’s books render the world so sharply that they might draw blood, but they are also shot through, I think, with an extraordinary hopefulness . . . they possess a fullness, a deep love of both language and character.”
―Lynn Steger Strong, The Los Angeles Times

“A compulsively readable meditation on how our closest friendships harbor both love and hate―and how we can fail each other over and over again . . . Li’s crystalline, insightful prose adds incredible depth to the drama, yet the dynamic between the girls remains the complex heart of The Book of Goose.”
―Sarah Rose Etter, BOMB

“A subtly suspenseful and inventive novel of friendship, opportunism, fame, fantasy, success and survival.”
―BookBrowse (five-star review)

“Not since John Knowles' A Separate Peace has a novel wrung such drama from two teens standing face to face on a tree branch.”
―Kevin Canfield, Star Tribune

“Haunting . . . The Book of Goose is a fascinating period piece . . . focused on the prickly relationship between [Li’s] two central characters . . . The Book of Goose itself is a spiky, scratchy, unsettling thing; and it’s all the more interesting and impressive for it.”
―Lucy Scholes, Financial Times

"Li, of course, has never been the kind of writer who tells you what you want to hear, and this is surely part of why she has become, while still in her 40s, one of our finest living authors: Her elegant metaphysics never elide the blood and maggots."
―Megan O’Grady, The New York Times

“Li narrates from the fringes of her own experience, subverting the notion that a writer should be bounded by her own identity, that identity is both personal property and territory to be defended. She insists on her own uncategorizable perspective, breaking rules in a sly, stubborn way."
―Alexandra Kleeman, The New York Times Magazine

“Li has proven herself a master storyteller.”
―Adrienne Westenfeld, Esquire (Best Books of Fall)

“Come for the writerly scheming, stay for the exquisitely calibrated examination of how our most tender and important bonds involve the manipulation of power and devotion.”
―Bethanne Patrick, The Los Angeles Times (most anticipated)

"Yiyun Li’s extraordinary new novel is a multivalent exploration of friendship and love, experience and exploitation, fate and futility, the slippage between reality and artifice . . . brilliant.”
―Carolyn Oliver, On the Seawall

“Exquisite . . . Knives, minerals, oranges, and the game of Rock Paper Scissors sneak into Agnès’ narrative as she relates the trajectory of a once-unbreakable union. The relative hardness of those substances is a clue to understanding it all. Stunners: Li’s memorable duo, their lives, their losses.”
―Kirkus Reviews (starred review)

“Not since Elena Ferrante’s My Brilliant Friend has a novel so deftly probed the magical and sometimes destructive friendships that can occur between two girls . . . The Book of Goose is an elegant and disturbing novel about exploitation and acquiescence, notoriety and obscurity, and whether you choose your life or are chosen by it.”
―Lauren Bufford, BookPage (starred review)

“Bringing to mind Elena Ferrante’s My Brilliant Friend, by way of Anita Brookner’s quietly dramatic prose, [The Book of Goose] makes for a powerful Cinderella fable with memorable characters. It’s an accomplished new turn for Li.”
―Publishers Weekly