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Brat: A Novel Hardcover – June 4, 2024

3.7 out of 5 stars 117 ratings

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Brat is a raucous story of the messy, messed-up business of living, dying and having a family.” Financial Times

“The novel crackles with gothic horror, deadpan humor, and a damning sense of alienation that you won’t soon shake.”
—Chicago Review of Books

From a provocative new literary talent, a hilarious and haunted novel featuring an unlikable protagonist grappling with grief, inheritance, and the ghosts of his past


We meet our ill-tempered protagonist—the story’s titular “brat”—at a low moment, but not yet at rock bottom. The Gabriel of the novel is mourning the death of his father as well as a recent breakup and struggling to finish writing his second book. Alone and aimless, he agrees to move back into his parents’ house to clear it out for sale. Here, the clichés end.

Gabriel has trouble delivering on his promises: as the moldy, overgrown house deteriorates around him, so does his own health, and large sheets of his skin begin to peel from his body at a terrifying rate. In fragments and figments, Gabriel takes us on a surreal journey into the mysteries of the family home, where he finds unfinished manuscripts written by his parents that seem to mutate every time he picks them up and a bizarre home video that hints at long-buried secrets.

Strange people and figures emerge—perhaps directly from the novel’s embedded fictions—and despite his compromised state (and his more successful brother’s growing frustration) Gabriel is determined to try to make sense of these hauntings. Part ghost story, part grief story, flirting with the autofictional mode while sitting squarely in the tradition of the gothic,
Brat crackles with deadpan humor and delightfully taut prose.

Gabriel Smith’s arrival heralds the next generation of fiction writers—formally inventive, influenced by the rhythms of the internet, and infused with a particularly Gen Z sense of alienation. Irreverent and boundary-pushing, but not for its own sake, the novel that follows is muscular yet lyrical, riddled with paradox, and told with a truly rare and compelling clarity of voice.
Brat is a serious debut that refuses to take itself too seriously.
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From the Publisher

The ghostly, mind-bending debut from a provocative new literary talent

A moving coming-of-age family story, says The Guardian about BRAT

Will stay with readers long after the last page is turned, says Town & Country about BRAT

Crackles with gothic horror [and] deadpan humor, says Chicago Review of Books

Editorial Reviews

Review

“Instead of resolving his novel’s many mysteries, Smith explores how this family navigates the disputed borders of its shared memories, pondering what it means to choose one story over another—as well as the consequences of refusing to choose, especially in the wake of grief.” The New York Times

“For readers looking for something that will grip you from start to finish,
Brat is sure to be your breath of fresh air. The novel crackles with gothic horror, deadpan humor, and a damning sense of alienation that you won’t soon shake.”—Chicago Review of Books

"A raw, delicate tale about grief and growing up, in which the protagonist’s brattiness is mostly window dressing . . . The result is a novel about the power and mutability of family lore, written in a tenderpunk style that conceals its sentimentality behind an appealing coat of sarcasm.”The New Yorker

“Smith evokes a distressingly potent sense of disquiet. Brat is a piece of suburban gothic, the rules of engagement between characters, and the sense of time all operating with the unhinged logic of a nightmare . . . It’s written in short, sharp bursts of action, savvy dialogue, or interiority . . . Full of dark, deadpan humor, Brat is a raucous story of the messy, messed-up business of living, dying and having a family.” Financial Times

“Weirdly good, even great . . . Just as the characters reveal their provocations to be endearments, so does the book. It becomes earnest, even sentimental, in the best way: it expresses something conventional yet true . . . Smith has pulled off a peculiar bildungsomething, in which the book grows up with the character.” Bookforum
 
“Between beginning and ending, things get pretty damn weird. Until the last few chapters, that is, when order is restored almost as neatly as in an Elizabethan comedy . . . This is hip gothic . . . There are many moments of deadpan humor . . . Smith’s prose makes mid-period Raymond Carver’s seem positively baroque. But it effectively conveys the narrator’s state of mind.”
Airmail

“There’s a moving coming-of-age family story here . . . Smith definitely has something; and his next novel, already announced, is called
The Complete, which sounds like a promise.” —The Guardian

“This novel is funny. Not witty or zany, but funny, actually funny . . . Smith’s narration is already asking to be read twice.” Chicago Review of Books

“This original, clever story is brilliant on grief, madness, and creativity. It's beautifully written, hilarious, and heartbreaking.” —The Daily Mail

“It's a book about loss and the anxiety of the modern age, tinged with humor and deep insight that will stay with readers long after the last page is turned.” —Town & Country

“Smith's picaresque first novel is told from the perspective of Gabriel, a writer struggling with numerous issues . . . a deeply gothic work that never quite settles the reader in a certain world as Gabriel’s foibles, ghostly visions, and uncertainties filter every moment. Written in short, clipped chapters and featuring uproarious dialogue (especially with Gabriel's brother), this is a darkly comic and brilliantly unusual debut.” —
Booklist

“[Smith's] dialogue shines . . . Readers who appreciate the morbidly funny and the just plain morbid will find a lot to love in these pages. A weird and darkly funny novel from a writer to watch.” —Kirkus

“Messy with glitched realities and body horror,
Brat breathes the same thrillingly claustrophobic air as Inland Empire and Ubik. It’s a skin-shedding ouroboros of grief and laughter, and the most brain-melting British debut I’ve read in ages.” —Ed Park, author of Same Bed Different Dreams

“Gabriel Smith’s prose is like if Joan Didion and Shirley Jackson took Xanax and used the internet.
Brat is a sharp, eerie, confident debut about grief, memory, art, and so much more. Smith is a major new talent.” —Jordan Castro, author of The Novelist
 
“Gabriel Smith’s jauntily creepy and hilarious tale of a grief-stalked scapegrace’s sloughing-off and regeneration of selves in the filial murk of a moldering homestead is a
Portrait of the Artist as a Young Man for a new, quaking generation. Brat will unnerve and seduce you.” —Garielle Lutz, author of Worsted

“Gabriel Smith has written a truly unique and surprising book. He is the rarest thing: a distinctive stylist on the line and structure level.
Brat is so strange and so funny. I laughed a lot while reading.” —Rachel Connolly, author of Lazy City

About the Author

Gabriel Smith is an author living in London. A winner of the 2023 PEN/O. Henry Award, his fiction has appeared in The Drift, New York Tyrant Magazine, and The Moth. He was mentored by the late Giancarlo DiTrapano of Tyrant Books.

Product details

  • Publisher ‏ : ‎ Penguin Press (June 4, 2024)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 320 pages
  • ISBN-10 ‏ : ‎ 0593656873
  • ISBN-13 ‏ : ‎ 978-0593656877
  • Item Weight ‏ : ‎ 2.31 pounds
  • Dimensions ‏ : ‎ 5.77 x 1 x 8.53 inches
  • Customer Reviews:
    3.7 out of 5 stars 117 ratings

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Customer reviews

3.7 out of 5 stars
117 global ratings

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Top reviews from the United States

  • Reviewed in the United States on June 9, 2024
    I knew I would love this when I first heard about it, and I did. I was graciously loaned an ebook by the publisher via NetGalley, and I tore through it. Fair warning that there's some mildly graphic body horror, but I adored the tone, the sense of humor, and the straight up weird bits.
    The format was refreshing; it read like a depressive dirtball diary from a man grieving his father's loss in unorthodox ways. For one reason or another, it's interspersed with punchy short stories and bits of manuscripts and screenplays. A bit scary, a bit mysterious, a bit meta.
    I found it to be a whole lot of fun. Would definitely revisit!
    One person found this helpful
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  • Reviewed in the United States on July 28, 2024
    This book...was a series of mind games from the first chapter to the very last page.

    I still don't understand, 100%, what I read - even two weeks after I finished the book.

    Was it a good read? Yes.

    Was it confusing? Yes.

    Did I enjoy the entire book, from beginning to end? Yes.

    Did this book piss me off? Also yes.

    But something about it just kept me reading, and I couldn't put it down. I didn't read the whole thing in one sitting, but it was pretty close - there was just something different offered here.

    It handled a lot of heavy themes, mostly grief and mental illness. The way it handled grief was not only frightening and dark, but the narrator did a great job of keeping things light at times when I'm pretty sure I would have been losing it.

    “When someone dies, it becomes a competition to be in charge of the history of that person. People want their memory to be the real one.”

    Gabriel, our narrator, has just gotten word that he lost his father. Gabriel's brother invites him to stay in their father's home and begin cleaning it out, and while he has every intention of doing so, he just...doesn't.

    Things begin to happen.

    First, his skin starts falling off. Then he stumbles upon his mother's manuscript for a book she was writing. This, albeit not very odd in itself, seems to change from time to time when Gabriel reads it. Events that happen in the story are different each time he reads through it, leading to an obvious fear and confusion. When he confronts his mother, who is in a care home, about the manuscript, she is confused. Then he meets a young boy and a young girl who are stealing a car and running away - and there is something about the young boy and girl that remind him of someone, maybe even some time ago. But no one else seems to see the boy or girl or realize that they are there. Finally, Gabriel finds a video tape while going through his father's things, and it's odd as well - not to mention the stories his father were writing before he died. Every time he read the stories or viewed the tape, things would change - and no one else could see this.

    Meanwhile, Gabriel's skin is just falling off over and over, with new skin appearing underneath - like a snake. It is confusing and while he seeks medical attention at first, he wonders if it is indeed helping, or if it just...isn't something that can be treated. Not to mention that the more that Gabriel's skin peels off, the more the house itself changes...

    Brat deals with grief. A lot of grief. And it deals with it in a way that might be difficult to understand, but in a way that is not entirely unfamiliar to those who have also come face-to-face with it. It's a book that isn't afraid to go there - to explore how grief can have an impact on mental health, and how it can often make you feel as though you are losing your grip on reality.

    The characters in Brat were definitely interesting. While I liked the main character, Gabriel, I don't feel that we had enough interaction with Gabriel's brother to really form that much of an opinion of him. Gabriel's brother's wife, on the other hand, was a character that, for me, was utterly unlikable. I'm not sure what it was about her, but her overall attitude and demeanor was just something I could have gone without in the book. The character development with Gabriel was interesting to watch, although I didn't feel there was as much of it as I had hoped there would be.

    I really loved the whole book-within-a-book feeling that the short stories written by Gabriel's father and the manuscript by his mother offered. They were definitely a nice touch to the book, especially when they kept changing each time he read them. I love reading things like that, things that feel almost haunted on their own.

    Brat is the kind of book that stays with you even after you've finished reading, because there's so much that you try to keep reading into and understand that you have to process it. It's a good book, and it definitely has its highs and lows, but overall, I would definitely enjoy reading through this one again.
    3 people found this helpful
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  • Reviewed in the United States on June 17, 2024
    Do you want a lovable main character you can root for?

    I’m so sorry, then. This book is not for you.

    Brat by Gabriel Smith was like an accident scene and I, unexpectedly, was a rubbernecker. The story is intoxicating (or maybe the author was intoxicated when he wrote it. I am not sure.) It was one of the most bizarre tales I’ve ever encountered, and I have consumed many unusual books. I love when a narrative doesn’t follow a prescribed formula, and Brat was, undoubtedly, its own original thing.

    The main character, like the author, is named Gabriel, and he is, as you may have guessed, a bit of a brat. Gabriel is going through some stuff, though. Some weird, sad, and gross stuff. He is trying to come to terms with his father’s death and his mother’s dementia. He is in denial about his recent breakup. And now, on top of everything else he is forced to let go of, he is expected to pack up his childhood home so his older brother can put it on the market. So, while it is true that Gabriel isn’t the most likable character, he is a sympathetic one.

    The story curves into a fantastical horror, ultimately gaslighting the reader alongside the narrator. It all allows Gabriel to cling tightly to the one thing he still has a loose grip upon: that house. Gabriel finds himself crumbling within it, just as the walls rot around him.

    Every book needs to find the right audience. The offbeat nature of Brat means it is best suited for a very particular group of people. It’s thought provoking because it is so ambiguous, but if you prefer a less obscure narrative, this one isn’t going to work for you. I think the perfect reader for Brat also needs to be a little bit weird.

    I loved it.

    I am immensely grateful to Penguin Press and NetGalley for my copy. All opinions are my own.

    Update: Since finishing this, I keep thinking about it. I think it would be a really interesting book to discuss in a book club. I’m considering it as a pitch for the club I’m in. I think they’re relatively open to strange fiction, but I’m not sure if this will be a bit too strange, haha.

    Anyway, I do think, because of the ambiguity, that people will have varied interpretations of the text and I’d love to get other perspectives on it.

    My main takeaway was that grief distorts our reality. It affects our lens. As we work through the process, our perception continues to change. The way we saw something initially has suddenly been altered.

    It also made me think about the way we perceive our parents. As children, we have a rather superficial view of them, rarely seeing them as human beings with lives apart from us. Some carry this into adulthood, which I think was largely true for Gabriel. Perhaps something (like a death) begins to chip away at the surface, and we finally see that they were more than just our parents, but it’s complex and confusing, and if you’re inundated with countless revelations that force you to reevaluate your perspective, it can be overwhelming and anxiety inducing. Sometimes we want to cling to a certain image of our parents, and it’s difficult to accept that there is more beyond the edges of our imagination.
    One person found this helpful
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Top reviews from other countries

  • Bloody_Clarey
    5.0 out of 5 stars Very funny and very clever
    Reviewed in the United Kingdom on July 3, 2024
    I absolutely loved this book. Witty and bizarre.