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In the Country of Others: A Novel Hardcover – August 10, 2021

3.8 3.8 out of 5 stars 753 ratings

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The award-winning, #1 internationally bestselling new novel by the author of The Perfect Nanny, about a woman in an interracial marriage whose fierce desire for autonomy parallels her adopted country's fight for independence

The world of men is just like the world of botany. In the end, one species dominates another. One day, the orange will win out over the lemon, or vice versa, and the tree will once again produce fruit that people can eat.

In her first new novel since
The Perfect Nanny launched her onto the world stage and won her acclaim for her "devastatingly perceptive character studies" (The New York Times Book Review), Leila Slimani draws on her own family's inspiring story for the first volume in a planned trilogy about race, resilience, and women's empowerment.

Mathilde, a spirited young Frenchwoman, falls in love with Amine, a handsome Moroccan soldier in the French army during World War II. After the war, the couple settles in Morocco. While Amine tries to cultivate his family farm's rocky terrain, Mathilde feels her vitality sapped by the isolation, the harsh climate, the lack of money, and the mistrust she inspires as a foreigner. Left increasingly alone to raise her two children in a world whose rules she does not understand, and with her daughter taunted at school by rich French girls for her secondhand clothes and unruly hair, Mathilde goes from being reduced to a farmer's wife to defying the country's chauvinism and repressive social codes by offering medical services to the rural population.

As tensions mount between the Moroccans and the French colonists, Amine finds himself caught in the crossfire: in solidarity with his Moroccan workers yet also a landowner, despised by the French yet married to a Frenchwoman, and proud of his wife's resolve but ashamed by her refusal to be subjugated. All of them live in the country of others--especially the women, forced to live in the land of men--and with this novel, Leila Slimani issues the first salvo in their emancipation.
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From the Publisher

From the author of THE PERFECT NANNY and ADELE comes a stunning family saga

The New York Times says: Slimani has made a career out of catching readers...

Named a BEST BOOK OF THE SUMMER by Vogue, Entertainment Weekly, Buzzfeed, The Millions, & more

The Boston Globe says: Slimani shines through the rise and fall of tension in her novels... Stunning

Editorial Reviews

Review

A New York Times Book Review Editors’ Choice

One of NPR
s Best Books of the Year

Named a Best Book of the Summer by
Vogue, Entertainment Weekly, The Washington Post, Good Housekeeping, BuzzFeed, The Philadelphia Inquirer, Town & Country, Observer, The Millions, and Parade

Winner of the Grand Prix de l’Héroïne Madame Figaro, awarded by Frances oldest national daily newspaper to the best novel featuring a female protagonist

Longlisted for the Carnegie Medal for Excellence


“Slimani has made a career out of catching readers on the wrong foot with unsparing prose. . . .
In the Country of Others is [her] most personal book yet.” —TheNew York Times

“Slimani writes motherhood like no one else. . . . [She] handles Mathilde’s evolution elegantly. . . . In Sam Taylor’s seamless, poetic translation, Slimani masterfully captures these nuanced shifts [among French, Alsatian, Arabic, and Berber]. . . .
In the Country of Others . . . lays bare women’s intimate, lacerating experience of war and its consequent trauma.” ―The New York Times Book Review

“Really enjoyable.” ―
Joumana Khatib, The New York Times Book Review (podcast)

“A beautifully written portrait of both a country and a family trying to establish their identities in the midst of immense turmoil.” ―
NPR

“This one is so good.” ―
NPR’s Pop Culture Happy Hour

“A satisfying if infuriating look at how power works in the struggle for independence, both personal and political. . . . Dynamic female characters dominate the book. . . . Slimani shines through the rise and fall of tension in her novels. Her willowy prose is dense with emotional depth and insight, and blunt observations elucidate every scene with force. . . . [Her] prose . . . is stunning.” ―
The Boston Globe

“Slimani excels at telling this wide-ranging story, expertly folding themes of love, loss, alienation, gender, and belonging into a complex narrative set against the backdrop of World War II.” ―
Vogue

“Nuanced and elegantly written.” ―
Ms. magazine

“Wonderfully imagined . . . A compelling exploration of the past . . . [Slimani] works her dangerous magic on her own family history. . . . [She] has an instinct for whichever detail will deliver the strongest electric shock. . . . It will be fascinating to see how the rest [of the trilogy] unfolds.” ―
Tessa Hadley, The Guardian

“A panoramic, ambitious tale . . . A big leap forward from an already established writer . . . It will leave anyone who reads it quietly thrilled at the thought of what its author might do next.” ―
The Times (London)

“As wild and lush as a wildflower meadow . . . It will be fascinating to see what the next installment brings.” ―
The Observer (London)

“Thrums with nervous energy . . . Slimani excels at evoking this time and place. Readers will end the first volume of the trilogy with high expectations for the next.” ―
The Economist

“A thought-provoking, touching story.” ―
Town & Country

“Slimani has never shied away from complicated aspects of human nature. . . . A story about the complexities of interracial marriage in the 1940s, womanhood in an intensely patriarchal society, and the Moroccan struggle for independence from French colonial rule.” ―
The Cut

“A portrait of both a country and a family trying to establish their identities in the midst of immense turmoil.” ―
NPR’s Code Switch

“Slimani is a doggedly unsentimental writer. . . . Even with its brutality, I felt compelled to keep reading and eagerly await the next book.” —
Tomi Obaro, BuzzFeed

“A strikingly fresh and vivid novel, free of the stale affectation that permeates lesser historical fiction . . . [A] gripping novel whose personal struggles mirror those of Morocco’s fight for independence.” ―
Observer (New York)

“An unabashedly feminist novel of outsiders . . . Parallels with Paul Scott’s famed Raj Quartet are evident, as the personal and political journeys are inextricably intertwined. . . . Emotionally sat­isfying.” ―
BookPage, starred review

“[Slimani has] a genius for empathy, an ability to translate experiences, and an understanding of what’s important to leave in and what’s crucial to leave out. . . . Asking what it means to exist between cultures, and how we negotiate the ever-shifting complexities of privilege and identity, [
In the Country of Others] acknowledges that such questions are as far from abstract as imaginable, and as intimate as the marriage bed.” ―The Millions

“The beautiful, evocative writing draws you in . . . and keeps you there until the last page.” ―
Daily Express

“Powerful . . . Slimani creates an immersive and stunningly realized fictional world and ratchets up the tension as the novel moves toward its climax.” ―
The Scotsman

“A multi-layered, nuanced book, with moments of humor and a lot to empathize with. I look forward to the next instalment.” ―
Susannah Butter, Evening Standard

“The novel’s brilliance is in its unconventional portrayal of its characters’ contradictions, restlessness, uneasy alliances . . . Striking.” ―
The Tablet (London)

“[A] sharp and nuanced critique of patriarchy . . . A novel of the heart concerning race and the struggle for personal and sexual freedom.” ―
Literary Review

“A marked departure . . . Beautiful.” ―
Daily Mirror

“Powerful and moving.” ―
Press Association

“The prose is so descriptive I can almost feel the scratch of the sand on my face. . . . An interesting and revealing book written with skill.” ―
Sheila Grant, NB magazine

“Highly enjoyable, and dazzlingly fresh.” ―
iNews

“The world of this novel―Morocco after World War II, leading up to the revolt against French colonialism―is beautifully created. Personal life, social life, everyday life spring vividly from the page, and we feel deeply for the family caught in the middle of the conflict of history. An exceptional, powerful novel from this justly celebrated writer.” ―
Salman Rushdie

“Leila Slimani is a wonderful writer, and this gorgeous novel brings vibrantly to life the vanished world of 1950s Morocco, in a narrative at once richly layered and deceptively simple. I loved it and didn't want it to end.” ―
Claire Messud

“A powerful and compelling family saga—about women and subjugation, otherness and belonging, and the often conflicting loyalty to both family and country—written with a deftness that has come to define Leila Slimani’s writing. It will no doubt resonate in the reader’s mind long after the final sentence is read.” ―
Christine Mangan, bestselling author of Tangerine and Palace of the Drowned

“Dazzling―ambitious, stylish, deeply evocative, and with such clever and intimate characterization. A terrific achievement.” ―
Emma Stonex, bestselling author of The Lamplighters

“An affecting tale of evolution and revolution . . . Slimani’s visceral prose never fails.” ―
Kirkus Reviews

Acclaim from France

“A powerful family saga.” ―
Le Parisien

“Captivating and often very moving.” ―
Elle (France)

“Who better than Slimani to write a great contemporary novel from the perspective of both sides of the Mediterranean, a double heritage, that of the horrors of colonization and that of the pains of decolonization?” ―
Vanity Fair (France)

“A magnificent novel.” ―
La Presse

“Written with breadth and a great power of evocation.” ―
Libération

“A magnificent portrait of a woman . . . The writing is light, playful, funny. . . . Superb.” ―
Atlantico

“A great family saga.” ―
L’Obs

“A virtuoso story . . . The great decolonization novel we expected . . . Sensual, radiant, violent . . . [It] captivates us, makes us feel, touch, experience what a people, what a family could feel. The author shows a new mastery.” ―
Les Inrockuptibles

“Fascinating . . . Slimani is like a filmmaker who knows how to place her camera to capture emotions close-up and action with wide angles.” ―
Jeune Afrique

“Fluid and fiery . . . Rich in humanity . . . [A] fascinating family saga . . . From the first words, we are swept up in an atmosphere where all the emotions seem palpable. . . . Slimani is a wonderful storyteller.” ―
Profession Spectacle

“Very inspired . . . [A] great fresco that mixes intimate tragedies and historical upheavals . . . Slimani is not done surprising us.” ―
France Info

Acclaim for Leila Slimani

“Slimani writes devastatingly perceptive character studies.” ―
Marilyn Stasio, The New York Times Book Review

“Like Jenny Offill, Slimani can write ravishingly of female bodies.” ―
Lauren Collins, The New Yorker

“Slimani is an astute observer of power politics in the home.” ―
John Freeman, The Boston Globe

“A gifted stylist, Slimani can pack a sneaky wallop when she wants.” ―
The Philadelphia Inquirer

“Slimani is a fearless writer who pulls back the curtain to show what secretly thrills and terrifies women.” ―
Evening Standard

“[Slimani] writes with a cool detachment and unflinching emotional honesty that takes your breath away.” ―
Vogue (U.K.)

“[Slimani] is now the archetype of a certain international image of a female French author: talented, open-minded, and politically engaged.” ―
Vanity Fair (France), “The 50 Most Influential French People in the World”

About the Author

Leila Slimani is the bestselling author of The Perfect Nanny, one of The New York Times Book Review's 10 Best Books of 2018, for which she became the first Moroccan woman to win France's most prestigious literary prize, the Goncourt. Her first novel, Adèle, about a sex-addicted woman in Paris, won the La Mamounia Prize for the best book by a Moroccan author written in French and gave rise to her nonfiction book Sex and Lies: True Stories of Women's Intimate Lives in the Arab World. A journalist and frequent commentator on women's and human rights, Slimani spearheaded a campaign--for which she won the Simone de Beauvoir Prize for Women's Freedom--to help Moroccan women speak out, as self-declared outlaws, against their country's "unfair and obsolete laws." She is French president Emmanuel Macron's personal representative for the promotion of the French language and culture and was ranked #2 on Vanity Fair France's annual list of the Fifty Most Influential French People in the World. Born in Rabat, Morocco, in 1981, she now lives in Paris with her French husband and their two young children.

Product details

  • Publisher ‏ : ‎ Penguin Books (August 10, 2021)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 320 pages
  • ISBN-10 ‏ : ‎ 014313597X
  • ISBN-13 ‏ : ‎ 978-0143135975
  • Item Weight ‏ : ‎ 15.6 ounces
  • Dimensions ‏ : ‎ 5.8 x 1.1 x 8.6 inches
  • Customer Reviews:
    3.8 3.8 out of 5 stars 753 ratings

About the author

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Leïla Slimani
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Leïla Slimani is the first Moroccan woman to win France’s most prestigious literary prize, the Prix Goncourt, which she won for Lullaby. A journalist and frequent commentator on women’s and human rights, she is French president Emmanuel Macron’s personal representative for the promotion of the French language and culture. Born in Rabat, Morocco, in 1981, she lives in Paris with her French husband and their two young children.

Customer reviews

3.8 out of 5 stars
3.8 out of 5
753 global ratings

Top reviews from the United States

Reviewed in the United States on April 19, 2024
As an expat married to an African, so much of this novel felt familiar to me. I liked the way the author was omniscient and moved easily from one character's perspective to another's. I admire the way she portrayed this family of a Christian and a Muslim who loved one another and tried to embrace each others' customs to please each other. The love Mathilde felt for her Moroccan husband rings true although I suspect many Westerners find it hard to Understand. I was surprised and happy to have found this book.
Reviewed in the United States on August 5, 2021
This is a well written chronicle set in the 1950s about Mathilde, a woman from Alsace, France, who marries Amine a Moroccan soldier. She moves to his country with idolized visions of what her life will be like but all too soon discovers just how far removed reality actually is. The dusty hot weather, scant existence, racism and cruelty she experiences at the hands of her husband, his family and others left me with a feeling of sadness and despondency. The story was best summed up with this paragraph
"After quietly closing the door and walking into the hallway, Amine thought about how the fruit of the lemange tree was inedible. Its pulp was dry and its taste so bitter that it brought tears to his eyes. And the world of men is just like the world of botany, he thought. In the end one species dominates another. One day the orange will win out over the lemon, or vice versa, or the tree will once again produce fruit that people can eat. 4 Stars.
24 people found this helpful
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Reviewed in the United States on January 13, 2022
Very slow. Kept waiting for a major plot twist as is typical of Slimani but was disappointed not to discover one. Ending created abruptly leaving the reader wanting to know more about the fate of the characters.
4 people found this helpful
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Reviewed in the United States on October 16, 2021
Beautifully written, intelligent and empathic descriptions of a complicated life, of suffering people , good people, lost people, far away and near, hopeful and disappointed, a mosaic of a turbulent era in Morocco and France conflict, and people living among ideology, despair, ignorance, culture shock and a deep love flowing as a river among the prejudices, the hatred and fear, the exploitation and the lack of mutual understanding . A Jewell of migrant literature and gender oppression
7 people found this helpful
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Reviewed in the United States on December 18, 2021
I enjoyed reading about a time and place I knew nothing about. The mother's journey to acceptance for her situation made me angry but it was believable. It felt a little lacking in something. It didn't delve too much into any one character. Nothing remarkable happened. Maybe that's part of the point, human endurance through difficultyvv
3 people found this helpful
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Reviewed in the United States on June 27, 2023
I loved this book. The writing was amazing.
One person found this helpful
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Reviewed in the United States on August 24, 2021
Compelling read. I couldn’t put it down. I understand it’s planned as the first book of a trilogy. Will eagerly anticipate second round!
8 people found this helpful
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Reviewed in the United States on November 20, 2022
I forced myself to finish this novel as it is a book club pick and really disliked everything about it. All the poorly developed, unlikable, and unpredictable characters are angry, cruel, negative and mean spirited. There is not a positive and uplifting interaction in the entire book. There doesn't seem to be any plot, the story moves forward with the introduction of another strange character or incidence. There is little exploration of the relationship between the central couple, a Frenchwoman and a Moroccan man, and their family dynamics are strained and unhappy. Please don't waste your time or money.
3 people found this helpful
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Top reviews from other countries

Reboni Saha
3.0 out of 5 stars Frisson of Franco-Morroccan post war culture
Reviewed in India on November 19, 2021
The interaction between radically different cultures interests me, this mix of east-west/south-north reflects a bit of my personal journey. This is what held my interest, along with the cultural mores exposed through good fictional writing. Definitely a good read.
One person found this helpful
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MLB
5.0 out of 5 stars Wonderful
Reviewed in the United Kingdom on October 29, 2023
Artfully written, powerful, beautiful
Anne
5.0 out of 5 stars Still to read!
Reviewed in the United Kingdom on June 29, 2022
Think that says it all!
One person found this helpful
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YoussBen
1.0 out of 5 stars Orientalism at its best!
Reviewed in the United Kingdom on February 20, 2022
This book is very problematic for so many reasons. To start with, the list of stale, lazy stereotypes used and abused by the author is too long and too boring to enumerate. 
Moroccans are backwards, profane, irrational, uncivilised and barbaric.Peasants and city dwellers alike are filthy and smell. Men are bloodthirsty brutes, ignorants and don't know how to love. 
Women are exotic, brainless (obviously!) and have no ambition. 
The novel is packed with tropes of Orientalism that translate the coloniser's image of the locals. It reinforces the myth of the civilised, rational and developed Western power, coming to the rescue of the barbaric savages.
Edward Said must be tossing in his grave!!!
To top it up, Slimani decided to sprinkle some white saviour complex examples through the characters of Mathilde and Mademoiselle Fabre. Mathilde is disgusted by the peasants, but nonetheless decides to dedicate her life to “healing the sick”. Mademoiselle Fabre, who is “goodhearted and generous” spends her time feeding the poor, giving clothes to kids in rags and dispensing life advice to young Moroccan females.  Oh, I almost forgot! She is the only character who defends Morocco's legitimate fight for independence. Of course, We need a white advocate!!
However, her argument is extremely problematic. Judge for yourself: “After more than forty years of the Protectorate, how can anyone expect the Moroccans not to demand freedom? They helped us fight for it, and we gave them a taste for it and taught them the value of it. They deserve it”. I mean, does it get more patronising? It’s an absolute insult to a whole Nationalist movement, which united the whole nation across the board. Who knew that Moroccans owed their desire for freedom to the same people who spent over forty years dehumanising them???!!! It is condescending, ignorant and deluded. 

The Author chose to ignore the fact that Morocco has a rich culture and history, which goes way back, twelve centuries back! A country which , at its height controlled much of the Iberian Peninsula and North Africa! But that was long ago!
At the time of the French Protectorate, The country was weak and poor; and the French intended to keep it this way, through its politics of forceful land acquisition and the establishment of a powerful colonists community. 
General Lyautey famously said " A colonist is worth a batallion". It was particularly true of the thousands of French farming colonists who did a great job keeping the locals at their mercy, either as employees or as customers. 

Slimani chose to tell her story through the prism of the colonists. Even though Amin is Moroccan, he acts no different than his French neighbours, treating the labourers with disdain and mistrust. He refuses to take sides in the Moroccans fight for independence and even though he fought for the French army, he still cant  understand his brother’s “fanaticism”!
Apparently, only France's freedom is worth his bravery!  
Also, freedom fighters are either motivated by hate and despair or fanaticism. The word “terrorists” is tossed a few times, even though it wasnt commonly used at the time. I wonder why???!!! 
On the other hand, not a word about the ruthless repression and violence of the French military, who never apologised for their war crimes.  massacres committed by colonial France, from 1945 to 1962 are estimated to have caused the death of one million victims. In August 1955, an insurrection in Oued Zem caused the death of 70 Europeans, the response of the French army was ruthless: a thousand Moroccan victims. 
Hundreds of thousands lost their lives during the French colonisation. The political, economic and cultural consequences of colonialism are still rippling through Moroccan society. 

The author chose to write a heavily pro french account of that period, but I genuinely believe that her parti pris isn't even a conscious choice. These are internalised reflexes and narratives, fed since childhood, to a whole part of the Moroccan elite. Moroccans, who speak French more fluently than Arabic. They can recite by heart the name of French Presidents, under the Fifth Republic; but wouldn't be able to name the dynasties that ruled Morocco, to save their lives! 
I was expecting better from a Moroccan author, at least more balance and a more wholesome 

perspective of that painful period of Moroccan history. Very disappointing! 
13 people found this helpful
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S. Morris
1.0 out of 5 stars Dismal
Reviewed in the United Kingdom on March 31, 2022
This book was so dismal that pause for thought seemed essential. Was there a deeper meaning that I could not fathom, perhaps some allegory relating to Dante's Inferno or Catholicism's Purgatory? In truth, the odds are this is just a dismal book.
Other reviews make many good points. The main issue is simply that no character is likeable or very plausible. The main way of progressing the story is to introduce another weird and extremely flawed character. No character's story reaches any meaningful conclusion so why not do so may be the philosophy.
Life is replete with trials and tribulations at every turn with the curious exception of childbirth which twice happens presumably so effortlessly that it isn't worthy of remark. Really?
One can imagine that little things start to rankle. We are told repeatedly the lead female character is white and tall; two steps taller than her husband. So, when she dresses in Arab garb and successfully haggles in the souk without being rumbled it's just not credible. Further, one page later we are told she speaks Arabic with an Alsace accent. Towards the end, the combat experienced ex-soldier husband sleeps through his wife blasting away at a palm tree with a shotgun just outside the house. It is asserted only mothers wake to a child crying in the night which is patent nonsense other than that fathers quickly learn it infuriates a mother to be told a child cried and was successfully settled while she slept. Once bitten, many times shy.
In short, there is no plot to be discerned other than history inevitably unfolding around us. The book was finished simply because it had to get better, didn't it. Another flawed man may be the author's view.
2 people found this helpful
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