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Normal People: A Novel Hardcover – April 16, 2019
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“[A] novel that demands to be read compulsively, in one sitting.”—The Washington Post
ONE OF ENTERTAINMENT WEEKLY’S TEN BEST NOVELS OF THE DECADE
TEN BEST BOOKS OF THE YEAR: People, Slate, The New York Public Library, Harvard Crimson
Connell and Marianne grew up in the same small town, but the similarities end there. At school, Connell is popular and well liked, while Marianne is a loner. But when the two strike up a conversation—awkward but electrifying—something life changing begins.
A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other.
Normal People is the story of mutual fascination, friendship, and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find that they can’t.
WINNER: The British Book Award, The Costa Book Award, The An Post Irish Novel of the Year, Sunday Times Young Writer of the Year Award
BEST BOOKS OF THE YEAR: The New York Times, The New York Times Book Review, Oprah Daily, Time, NPR, The Washington Post, Vogue, Esquire, Glamour, Elle, Marie Claire, Vox, The Paris Review, Good Housekeeping, Town & Country
- Print length288 pages
- LanguageEnglish
- PublisherCrown
- Publication dateApril 16, 2019
- Dimensions5.74 x 0.97 x 8.55 inches
- ISBN-101984822179
- ISBN-13978-1984822178
Book recommendations, author interviews, editors' picks, and more. Read it now.
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From the Publisher
Normal People by Sally Rooney
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CONVERSATIONS WITH FRIENDS
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NORMAL PEOPLE: The Scripts
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Customer Reviews |
4.0 out of 5 stars 41,896
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4.8 out of 5 stars 579
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Price | $8.38$8.38 | $19.04$19.04 |
MORE BY SALLY ROONEY | Written with gemlike precision and marked by a sly sense of humor, Conversations with Friends is wonderfully alive to the pleasures and dangers of youth, and the messy edges of female friendship. | Delve deeper into the Emmy- & Golden Globe–nominated Hulu series based on Sally Rooney's bestselling novel with this must-have collection of the Normal People scripts, featuring behind-the-scenes photos & an introduction by director Lenny Abrahamson. |
Editorial Reviews
Review
“A future classic.”—The Guardian
“Rooney is a tough girl; her papercut-sharp sensibility is much more akin to writers like Rachel Kushner, Mary Gaitskill, and the pre–Manhattan Beach Jennifer Egan. . . . Normal People is a nuanced and flinty love story about two young people who ‘get’ each other, despite class differences and the interference of their own vigorous personal demons. But honestly, Sally Rooney could write a novel about bath mats and I’d still read it. She’s that good and that singular a writer.”—Maureen Corrigan, NPR’s Fresh Air
“[Rooney] has written two fresh and accessible novels. . . . There is so much to say about Rooney’s fiction—in my experience, when people who’ve read her meet they tend to peel off into corners to talk.”—Dwight Garner, The New York Times
“[Rooney’s] two carefully observed and gentle comedies of manners . . . are tender portraits of Irish college students. . . . Remarkably precise—she captures meticulously the way a generation raised on social data thinks and talks.”—New York Review of Books
“Normal People tackles millennial concerns with nineteenth-century wit . . . the millennial generation would no doubt be happy to accept her as its spokesperson were she so inclined.”—Elle
“I’m transfixed by the way Rooney works, and I’m hardly the only one . . . like any confident couturier, she’s slicing the free flow of words into the perfect shape. . . . She writes about tricky commonplace things (text messages, sex) with a familiarity no one else has.”—The Paris Review
“Funny and intellectually agile . . . [combines] deft social observation—especially of shifts of power between individuals and groups—with acute feeling . . . [Rooney is] a master of the kind of millennial deadpan that appears to skewer a whole life and personality in a sentence or two.”—Harper’s Magazine
“Beautifully observed . . . crackles with vivid insight into what it means to be young and in love today.”—Esquire
“I went into a tunnel with this book and didn’t want to come out. Absolutely engrossing and surprisingly heart-breaking with more depth, subtlety, and insight than any one novel deserves. Young love is a subject of much scorn, but Rooney understands the cataclysmic effects our youth has on the people we become. She has restored not only love’s dignity, but also its significance.”—Stephanie Danler, author of Sweetbitter
“Masterfully done. The quality of Rooney’s writing, particularly in the psychologically wrought sex scenes, cannot be understated as she brilliantly provides a window into her protagonists’ true selves.”—BookPage (starred review)
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
January 2011
Marianne answers the door when Connell rings the bell. She’s still wearing her school uniform, but she’s taken off the sweater, so it’s just the blouse and skirt, and she has no shoes on, only tights.
Oh, hey, he says.
Come on in.
She turns and walks down the hall. He follows her, closing the door behind him. Down a few steps in the kitchen, his mother Lorraine is peeling off a pair of rubber gloves. Marianne hops onto the countertop and picks up an open jar of chocolate spread, in which she has left a teaspoon.
Marianne was telling me you got your mock results today, Lorraine says.
We got English back, he says. They come back separately. Do you want to head on?
Lorraine folds the rubber gloves up neatly and replaces them below the sink. Then she starts unclipping her hair. To Connell this seems like something she could accomplish in the car.
And I hear you did very well, she says.
He was top of the class, says Marianne.
Right, Connell says. Marianne did pretty good too. Can we go?
Lorraine pauses in the untying of her apron.
I didn’t realize we were in a rush, she says.
He puts his hands in his pockets and suppresses an irritable sigh, but suppresses it with an audible intake of breath, so that it still sounds like a sigh.
I just have to pop up and take a load out of the dryer, says Lorraine. And then we’ll be off. Okay?
He says nothing, merely hanging his head while Lorraine leaves the room.
Do you want some of this? Marianne says.
She’s holding out the jar of chocolate spread. He presses his hands down slightly further into his pockets, as if trying to store his entire body in his pockets all at once.
No, thanks, he says.
Did you get your French results today?
Yesterday.
He puts his back against the fridge and watches her lick the spoon. In school he and Marianne affect not to know each other. People know that Marianne lives in the white mansion with the driveway and that Connell’s mother is a cleaner, but no one knows of the special relationship between these facts.
I got an A1, he says. What did you get in German?
An A1, she says. Are you bragging?
You’re going to get six hundred, are you?
She shrugs. You probably will, she says.
Well, you’re smarter than me.
Don’t feel bad. I’m smarter than everyone.
Marianne is grinning now. She exercises an open contempt for people in school. She has no friends and spends her lunchtimes alone reading novels. A lot of people really hate her. Her father died when she was thirteen and Connell has heard she has a mental illness now or something. It’s true she is the smartest person in school. He dreads being left alone with her like this, but he also finds himself fantasizing about things he could say to impress her.
You’re not top of the class in English, he points out.
She licks her teeth, unconcerned.
Maybe you should give me grinds, Connell, she says.
He feels his ears get hot. She’s probably just being glib and not suggestive, but if she is being suggestive it’s only to degrade him by association, since she is considered an object of disgust. She wears ugly thick-soled flat shoes and doesn’t put makeup on her face. People have said she doesn’t shave her legs or anything. Connell once heard that she spilled chocolate ice cream on herself in the school lunchroom, and she went to the girls’ bathrooms and took her blouse off to wash it in the sink. That’s a popular story about her, everyone has heard it. If she wanted, she could make a big show of saying hello to Connell in school. See you this afternoon, she could say, in front of everyone. Undoubtedly it would put him in an awkward position, which is the kind of thing she usually seems to enjoy. But she has never done it.
What were you talking to Miss Neary about today? says Marianne.
Oh. Nothing. I don’t know. Exams.
Marianne twists the spoon around inside the jar.
Does she fancy you or something? Marianne says.
Connell watches her moving the spoon. His ears still feel very hot.
Why do you say that? he says.
God, you’re not having an affair with her, are you?
Obviously not. Do you think it’s funny joking about that?
Sorry, says Marianne.
She has a focused expression, like she’s looking through his eyes into the back of his head.
You’re right, it’s not funny, she says. I’m sorry.
He nods, looks around the room for a bit, digs the toe of his shoe into a groove between the tiles.
Sometimes I feel like she does act kind of weird around me, he says. But I wouldn’t say that to people or anything.
Even in class I think she’s very flirtatious toward you.
Do you really think that?
Marianne nods. He rubs at his neck. Miss Neary teaches Economics. His supposed feelings for her are widely discussed in school. Some people are even saying that he tried to add her on Facebook, which he didn’t and would never do. Actually he doesn’t do or say anything to her, he just sits there quietly while she does and says things to him. She keeps him back after class sometimes to talk about his life direction, and once she actually touched the knot of his school tie. He can’t tell people about the way she acts because they’ll think he’s trying to brag about it. In class he feels too embarrassed and annoyed to concentrate on the lesson, he just sits there staring at the textbook until the bar graphs start to blur.
People are always going on at me that I fancy her or whatever, he says. But I actually don’t, at all. I mean, you don’t think I’m playing into it when she acts like that, do you?
Not that I’ve seen.
He wipes his palms down on his school shirt unthinkingly. Everyone is so convinced of his attraction to Miss Neary that sometimes he starts to doubt his own instincts about it. What if, at some level above or below his own perception, he does actually desire her? He doesn’t even really know what desire is supposed to feel like. Any time he has had sex in real life, he has found it so stressful as to be largely unpleasant, leading him to suspect that there’s something wrong with him, that he’s unable to be intimate with women, that he’s somehow developmentally impaired. He lies there afterward and thinks: I hated that so much that I feel sick. Is that just the way he is? Is the nausea he feels when Miss Neary leans over his desk actually his way of experiencing a sexual thrill? How would he know?
I could go to Mr. Lyons for you if you want, says Marianne. I won’t say you told me anything, I’ll just say I noticed it myself.
Jesus, no. Definitely not. Don’t say anything about it to anyone, okay?
Okay, all right.
He looks at her to confirm she’s being serious, and then nods.
It’s not your fault she acts like that with you, says Marianne. You’re not doing anything wrong.
Quietly he says: Why does everyone else think I fancy her, then?
Maybe because you blush a lot when she talks to you. But you know, you blush at everything, you just have that complexion.
He gives a short, unhappy laugh. Thanks, he says.
Well, you do.
Yeah, I’m aware.
You’re blushing now actually, says Marianne.
He closes his eyes, pushes his tongue against the roof of his mouth. He can hear Marianne laughing.
Why do you have to be so harsh on people? he says.
I’m not being harsh. I don’t care if you’re blushing, I won’t tell anyone.
Just because you won’t tell people doesn’t mean you can say whatever you want.
Okay, she says. Sorry.
He turns and looks out the window at the garden. Really the garden is more like “grounds.” It includes a tennis court and a large stone statue in the shape of a woman. He looks out at the “grounds” and moves his face close to the cool breath of the glass. When people tell that story about Marianne washing her blouse in the sink, they act like it’s just funny, but Connell thinks the real purpose of the story is something else. Marianne has never been with anyone in school, no one has ever seen her undressed, no one even knows if she likes boys or girls, she won’t tell anyone. People resent that about her, and Connell thinks that’s why they tell the story, as a way of gawking at something they’re not allowed to see.
I don’t want to get into a fight with you, she says.
Product details
- Publisher : Crown; Later Printing edition (April 16, 2019)
- Language : English
- Hardcover : 288 pages
- ISBN-10 : 1984822179
- ISBN-13 : 978-1984822178
- Item Weight : 2.31 pounds
- Dimensions : 5.74 x 0.97 x 8.55 inches
- Best Sellers Rank: #37,879 in Books (See Top 100 in Books)
- #768 in Psychological Fiction (Books)
- #787 in Coming of Age Fiction (Books)
- #3,238 in Literary Fiction (Books)
- Customer Reviews:
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About the author

SALLY ROONEY was born in the west of Ireland in 1991. Her work has appeared in The New Yorker, The New York Times, Granta and The London Review of Books. Winner of the Sunday Times Young Writer of the Year Award in 2017, she is the author of Conversations with Friends and the editor of the Irish literary journal The Stinging Fly.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book easy to read and appreciate its realistic portrayal of everyday life and mental health struggles. The writing style receives mixed reactions - while some find it interesting, others find it frustrating to follow. The story and characters receive mixed feedback, with some finding them well-developed and relatable while others find them unengaging. Customers describe the book as an awesome psychological exploration that keeps them engaged, though some find it depressing throughout.
AI-generated from the text of customer reviews
Customers find the book engaging and easy to read, with one describing it as a satisfying summer read.
"...this doesn’t stop him from making friends in school and being easygoing and attractive...." Read more
"...She embraces a variety of stylistic eccentricities that weren't off-putting per se (including dispensing with quotes for dialog), but in retrospect,..." Read more
"...I can see how that isn't for everyone, but I found it really easy to follow and loved it so much I bought all of her other books too...." Read more
"...It was not a perfect book, but it's one that I would confidently recommend and likely one that I will read again." Read more
Customers find the book thought-provoking, describing it as an awesome psychological exploration with good insights about class.
"...at the start: the much loved son of a working-class single mom, smart, athletic and popular (the high school trifecta, even in Ireland I'd guess)..." Read more
"...It was a gentle, but remarkably illuminating discussion for both of us and about both of us...." Read more
"...Sally Rooney is an incredible author. She has a really interesting, almost callous writing style, that makes all of her books feel both detached and..." Read more
"...I found the book to be unique, interesting, captivating in a passive way...." Read more
Customers find the book refreshingly honest and believable, with one customer specifically praising its authentic portrayal of mental health struggles.
"...Story was good and relatable though." Read more
"...But, on the other hand, it is probably realistic fiction for the millennial generation." Read more
"...She is an exceptional writer, creating believable and complex characters and relationships...." Read more
"...I think Connell is a better-developed character, more fleshed out and easy to sink into. Marianne feels a bit off and less sure...." Read more
Customers have mixed opinions about the story quality of the book, with some finding it mesmerizing and well-written, while others express disappointment with the ending and find the plot line weak.
"...I watched the show last year and loved the refreshing portrayal of a relationship that is not black and white; it’s complex, both joyful and painful..." Read more
"...The book did not have an ending per se, but I suppose that was apropos given the themes of the book. I am eager to now watch the tv series." Read more
"...about that stylistic choice, but I think it was the perfect choice for a book about people who are so much in their own heads and unable to properly..." Read more
"...I think I kept reading it hoping it would get better. I was disappointed in the end. I just don't know if it was worth my time." Read more
Customers have mixed opinions about the writing quality of the book, with some finding it interesting and very readable, while others find it frustrating and hard to follow, particularly noting the lack of quotation marks in the dialogue.
"...refreshing portrayal of a relationship that is not black and white; it’s complex, both joyful and painful, and follows the growth of the..." Read more
"...The Hulu series almost completely honored the content and format of the book...." Read more
"...my experience of reading it bordered on compulsive, I find it difficult to analyse – suffice to say that it’s not about the plot; it’s about the..." Read more
"...compellingly, and despite the novel's shortcomings, I found it very readable and engaging to a degree...." Read more
Customers have mixed opinions about the character development in the book, with some finding them well developed and realistic, while others note that the characters don't change much throughout the story and lack sufficient background information.
"...this is what makes Rooney’s writing stand out for me: the incredibly relatable characters, with awkward moments, misunderstandings, and hardship, to..." Read more
"...I had no particular interest in the characters, whose vapid thinking out loud style of being left me gasping for anything that resembled dialogue,..." Read more
"...the book offers more depth to the characters, but I think the casting was perfect and it was gratifying to see a book and a series so in line with..." Read more
"...Marianne and Connell are both unique and misunderstood characters that I relate to now and would have back in high school and college...." Read more
Customers have mixed reactions to the emotional content of the book, with some finding it interesting and realistic, while others describe it as very depressing throughout.
"...Her prose capturez moods and emotions compellingly, and despite the novel's shortcomings, I found it very readable and engaging to a degree...." Read more
"...in college (they both go to the same college), connecting with people becomes harder, and he feels burdened by his social background, coming from..." Read more
"...writing style, that makes all of her books feel both detached and overly emotional...." Read more
"...Rooney skillfully examines themes of intimacy, class disparity, and individual growth, painting an intimate portrait of a love that is both tender..." Read more
Customers have mixed feelings about the book's pacing, with some finding it engaging and enjoyable, while others describe it as a boring slog.
"...That may be the case, but I found it very difficult to tolerate the on-again, off-again nature of Marianne and Connell's relationship...." Read more
"...It was just kind of overall boring. I kept reading through it because I thought something was going to happen...." Read more
"...of a relationship that is not black and white; it’s complex, both joyful and painful, and follows the growth of the protagonists...." Read more
"...I have with this critically-acclaimed novel is that I’m struggling to see the point of it...." Read more
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What is normal?
Top reviews from the United States
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- Reviewed in the United States on January 30, 20245/5 ☆☆☆☆☆
#andreeareviews
I have finally read Normal People! I watched the show last year and loved the refreshing portrayal of a relationship that is not black and white; it’s complex, both joyful and painful, and follows the growth of the protagonists.
Needless to say, I loved the book. I’ve been putting it off because this is the last Rooney novel that I haven’t read, and I am left with a massive book hungover that only another Rooney novel can fix. It’s impossible not to feel with the characters, from the awkwardness of the relationship to the impact of their personal trauma on it. It feels like Rooney reaches into your soul, turns it inside out and says: “Here, deal with this now.”. The writing is deceptively simple yet cuts straight to the heart.
We met Marianne and Connell in high school. On the surface, Marianne is an ostracised, weird girl with no friends and an aloof attitude that puts people off. Connell is a popular guy, having lots of friends and being the object of interest of many girls. Connell’s mother works for Marianne’s household as a housekeeper; thus, Connell meets Marianne outside of school whenever he picks up his mom. Their brief interactions give birth first to a form of hidden friendship that turns into lust and then love as they get closer and more intimate.
Their relationship is complicated in the true sense of the word and is deeply influenced by their trauma. Marianne was physically abused by her father; upon his death, the abuse continued with both her mother and brother physically and emotionally abusing her; she was ignored at home and at school, growing up without any friends and without being loved; in school, she was bullied and ostracised, becoming an apparently cold person, incapable of healthy attachment or love. She does not think she deserves to be loved, and I don’t think she knows what being loved really means.
On the other hand, Connell has grown up with a single mother, never knowing her father. He felt loved and appreciated at home; however, he is an introverted, quiet person; nevertheless, this doesn’t stop him from making friends in school and being easygoing and attractive. Later on, however, in college (they both go to the same college), connecting with people becomes harder, and he feels burdened by his social background, coming from a working-class family and hanging out in a circle of rich individuals (such as Marianne).
Their relationship evolves and devolves like a mesmerising dance from youth to young adulthood. They bring complexities into each other’s lives, driven by personal trauma, comfort, and a sense of having found home in that person who knows you and understands you fully. Connell, the quiet, brooding intellect, and Marianne, the sharp, unapologetic force of nature - their dynamic is a study of contrasts.
Connell’s internal struggles, the perpetual feeling of not being “enough”, and Marianne’s journey from isolation to self-discovery and perhaps self-love (I am not certain she reached it by the end of the book, but it does feel like she’s on her way) - Rooney peels back the layers, revealing characters so achingly human. And this is what makes Rooney’s writing stand out for me: the incredibly relatable characters, with awkward moments, misunderstandings, and hardship, to communicate feelings and thoughts. The plot becomes, therefore, a canvas where their insecurities, desires, and mistakes point to a poignant picture of love, friendship, and the quest for identity.
I said it before: Rooney is a master of dissecting the nuances of human connection. The themes of power, vulnerability, and societal expectations are woven into the narrative's fabric. The on-again-off-again nature of Marianne and Connell’s relationship isn’t just about love; it’s a mirror reflecting the intricacies of self-worth, societal pressures, and the messiness of growing up.
The exploration of intimacy, both emotional and physical, is raw and unapologetic. Rooney does not shy away from the uncomfortable, and that’s where the magic happens. The power dynamics at play, the impact of societal expectations on individual choices - it’s a literary feast for readers hungry for substance.
Finally, Normal People is not just a book for me; it’s a mirror reflecting the jagged edges of human relationships. Rooney doesn’t hand you answers on a silver platter; she hands you a mirror and says: “Look closely.”. In the end, you’re left with a breathtaking yet heartbreaking portrait of love and the messy, unfiltered journey toward self-acceptance, pondering long after the final page.
- Reviewed in the United States on August 11, 2022Here is one instance in which having seen the series before reading the book was NOT a conflict. The Hulu series almost completely honored the content and format of the book. The advantage of the book was understanding the thoughts going through the characters' minds in their moments of silent examination of one another. I really enjoyed the series, and I enjoyed the book even more. As is nearly always the case, the book offers more depth to the characters, but I think the casting was perfect and it was gratifying to see a book and a series so in line with one another.
Anyway, this is a review about the book, not the show. I've seen some unflattering reviews that say the book is meaningless and fluffy drivel, and that the characters are flat and dull. I wholeheartedly disagree. I think that the characters and the story successfully convey what it means to feel isolated and different. They're not lively and bubbly because the book is all about being abnormal and unable to fit in. The whole point is that they are people who don't fall into many of the facets of standard social norms and therefore they cling to each other and keep going back to each other throughout the years.
Rooney covers topics of mental, physical and sexual abuse with discretion and respect, and never once makes it exploitative for the sake of conflict and building tension. I love that she doesn't use the standard form of dialogue with breaks and quotation marks. I've seen some complaints about that stylistic choice, but I think it was the perfect choice for a book about people who are so much in their own heads and unable to properly convey themselves to anyone but each other. I've also seen some complaints about Rooney's prose, or lack thereof. I'm flabbergasted by that. There are some bits that are nearly poetic in their beauty, and some bits that so perfectly capture the human condition and the frail psyche of the depressed and downtrodden.
It was not a perfect book, but it's one that I would confidently recommend and likely one that I will read again.
Top reviews from other countries
- ViennaReviewed in Japan on October 5, 2020
5.0 out of 5 stars You'll be dwelling into the story of their unique, private, such complex relationship
I almost read this book in one-go and I'm not a huge reader. Their relationship is so fragile yet so strong throughout the probably one of the most difficult time: the transition of high school to college year. It felt like I was in it, standing and seeing this couple struggle and grow. Can't wait to see the tv show on bbc now.
- SanditronReviewed in the United Kingdom on August 7, 2024
5.0 out of 5 stars Absolutely phenomenal, loved it.
For someone who is a big fan of the BBC series adaptation (and watched the series a few times now), I thoroughly enjoyed this book. I read and finished it in six days and I loved it(!). I do also love a good coming-of-age story.
There are some differences in the book that play out differently in the series, and I liked them but also... didn't at the same time. There are some scenes between the characters I really liked and was kind of disappointed we didn't get to see them on screen (although I can understand why).
Nonetheless, the story is still emotional, and the main characters are still lovable and relatable. Reading the book as well as watching the series really does hit you in the feels with all those different moments: your last year of secondary school, starting a new chapter in your life, and learning how to navigate it. Meeting new people, saying goodbye to old friends. Wondering if you'll ever see them again. As well as facing new challenges.
Furthermore, the different topics this book explores: friendships, relationships, power dynamics, jealousy, class, mental health and the intricacies of love and intimacy are all quite powerful.
There were moments between the characters that added more depth to them. The moments where we get to see Connell and Mariannes' inner thoughts and desires were also really intriguing and gave us a new insight on how these people think and feel about certain things.
I know it's very divisive with Sally Rooney books that they don't have speech marks, but I was fine with it.
Overall, I thought this book was masterful. Just like the series. I look forward to reading more Sally Rooney books very, very soon.
Thank you, Sally Rooney, for giving us this really emotional story about love and for making the BBC series happen in the first place. You truly are a national treasure. Thank you.
-
ValentinaReviewed in Italy on February 15, 2025
5.0 out of 5 stars Per tutti i boomer!
Io sono una fan folle di Sally Rooney, mi piace la sua “tristezza” nel raccontare le cose, far comprendere la società dei giovani adulti di oggi. Consiglierei di leggere questo libro a qualsiasi boomer che non si sofferma neppure a comprendere la realtà d’oggi.
- KavipriyaReviewed in India on January 23, 2025
5.0 out of 5 stars Wonderful
This book made me cry a lot.
- Kindle CustomerReviewed in Australia on December 19, 2020
5.0 out of 5 stars Elegant modern classic romance
I read this after watching the show and there are differences here and there which are quite enjoyable. In terms of plot and content :: there's barely any explicit sex compared to the TV series.
You get a much better insight into Connell's headspace and get to analyse what the real issues in their relationship actually are. Amazing how you don't get told who is speaking but you know because each character has such a distinct voice. Also love how male and female feelings are both explored with sensitivity and without judgement. (The girl felt like the main character of the show but the guy feels like the main character of the book.)
It's delicate, enchanting, and endearing. My favourite thing is probably that it's not one of those stories where two strangers meet and sparks fly, or a high school romance that neatly ends at graduation. Life isn't like that. Sally goes to great pains to reveal reality through her fiction. Normal People is a bloody modern classic.