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White Ivy: A Read with Jenna Pick Hardcover – November 3, 2020
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A young woman’s crush on a privileged former classmate becomes a story of love, lies, and dark obsession, offering stark insights into the immigrant experience, as it hurtles to its electrifying ending.
Ivy Lin is a thief and a liar—but you’d never know it by looking at her.
Raised outside of Boston, Ivy’s immigrant grandmother relies on Ivy’s mild appearance for cover as she teaches her granddaughter how to pilfer items from yard sales and second-hand shops. Thieving allows Ivy to accumulate the trappings of a suburban teen—and, most importantly, to attract the attention of Gideon Speyer, the golden boy of a wealthy political family. But when Ivy’s mother discovers her trespasses, punishment is swift and Ivy is sent to China, and her dream instantly evaporates.
Years later, Ivy has grown into a poised yet restless young woman, haunted by her conflicting feelings about her upbringing and her family. Back in Boston, when Ivy bumps into Sylvia Speyer, Gideon’s sister, a reconnection with Gideon seems not only inevitable—it feels like fate.
Slowly, Ivy sinks her claws into Gideon and the entire Speyer clan by attending fancy dinners, and weekend getaways to the cape. But just as Ivy is about to have everything she’s ever wanted, a ghost from her past resurfaces, threatening the nearly perfect life she’s worked so hard to build.
Filled with surprising twists and a nuanced exploration of class and race, White Ivy is a glimpse into the dark side of a woman who yearns for success at any cost.
- Print length368 pages
- LanguageEnglish
- PublisherS&S/ Marysue Rucci Books
- Publication dateNovember 3, 2020
- Dimensions1.34 x 6.42 x 9.25 inches
- ISBN-101982100591
- ISBN-13978-1982100599
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Editorial Reviews
Amazon.com Review
Review
Longlisted for the Center for Fiction's First Novel Prize
"A twisty, unputdownable psychological thriller. Clear your schedule." — People, Book of the Week
"A truly addictive read." — Glamour
"There's nothing better than a novel with an unpredictable plot. And White Ivy, Susie Yang's debut novel... is exactly that." — USA Today (4 out of 4 stars)
“White Ivy is an enthralling, thrill of a book. It is fascinating to spend time inside Ivy’s mind, unique and unapologetic in its bold (and often bad) decisions. A story of many cultures both clashing and converging, White Ivy’s many twists and turns will surprise you until the very last page." — Molly Sprayregen, Associated Press
"Susie Yang delves into class warfare and deceit in the season's biggest debut" — Entertainment Weekly
"The genius of White Ivy is that each plot point of the romance is fulfilled but also undercut by a traumatic pratfall, described in language as bright and scarring as a wound." — The Los Angeles Times
"The modern story of clashing cultures and classes already reads like Crazy Rich Asians meets Donna Tartt’s A Secret History meets Paul’s Case, Willa Cather’s classic story of a desperate middle-class climb. But White Ivy, the propulsive debut novel by Susie Yang, is more than plot twists and love triangles. It’s also an astute chronicle of cultures, gender dynamics and the complicated business of self-creation in America." — San Francisco Chronicle
"Susie Yang’s White Ivy cleverly overturns the 'model minority' stereotype with a deliciously twisty story that will leave you breathless." — Real Simple
"A highly entertaining, well-plotted character study about a young woman whose obsession with the shallow signifiers of success gets her in too deep." — The Washington Post
"Yang excels at drawing sharp characters, making excruciating observations about class, family, and social norms, and painting the losses of migration and struggles Asians and other immigrants face in America. An easy page-turner... the cutting prose movingly portrays many layers of tribulation and traumas, and marks Yang as a voice to watch." — Boston Globe
"Susie Yang's White Ivy Is The Talented Mr. Ripley for the Instagram Age" — Bustle
“White Ivy has it all — it’s a coming of age story, a love triangle rich in complications of race and class, and though it offers the pleasures of a literary novel such as complex characters and interesting writing, it also has the attractions of a psychological thriller: jaw-dropping plot twists and an unpredictable ending... [This is a ] sharply observed and boldly imagined novel." — Star Tribune
"Yang’s dark, spellbinding debut gives insight into the immigrant experience and life in the upper class, challenging the stereotypes and perceptions associated with both. The surprising twists, elegant prose, and complex characters in this coming-of-age story make this a captivating read." — Booklist (starred review)
"What begins as a story of a young woman’s struggles to assimilate quickly becomes a much darker tale of love, lies, and obsession, in which there are no boundaries to finding the fulfillment of one’s own dreams. Yang’s skill in creating surprising, even shocking plot twists will leave readers breathless." — Library Journal(starred review)
"In Ivy, Yang has created an ambitious and sharp yet believably flawed heroine who will win over any reader, and the accomplished plot is layered and full of revelations. This is a beguiling and shattering coming-of-age story."— Publishers Weekly
"The intelligent, yearning, broken, and deeply insecure Ivy will enthrall readers, and Yang’s beautifully written novel ably mines the complexities of class and privilege. A sophisticated and darkly glittering gem of a debut." — Kirkus Reviews
"Electrifying... Part immigrant story, part elitist takedown, part contemporary novel of wicked manners, White Ivy is an unpredictable spectacle... Ivy Lin proves to be the antihero readers will love to hate in debut novelist Susie Yang's assured, deft, biting novel of (manipulative) manners." — Shelf Awareness (starred review)
"Yang takes a character who is a confessed thief from the first page, and etches her with qualities that turn her into a complex, layered, and unpredictable character."— Chicago Review of Books
"It's a testament to Susie Yang's skill that she can explore and upend our ideas of class, race, family, and identity while moving us through a plot that twists in such wonderful ways. But none of that would matter nearly as much if not for the truly unforgettable narrator, Ivy, who is so hypnotic, the way her voice feels both wild and controlled. She ran right through me." — Kevin Wilson, New York Times bestelling author of Nothing to See Here
“White Ivy is dark and delicious. Ivy Lin eviscerates the model minority stereotype with a smile on her lips and a boot on your neck. Cancel your weekend plans, because you won’t be able to take your eyes off Ivy Lin.” — Lucy Tan, author of What We Were Promised
“White Ivy is magic and a necessary corrective both to the stereotypes and the pieties that too easily characterize the immigrant experience. Most pleasing of all is the story of Ivy Lin, a daring young woman in search of herself, and not soon to be forgotten.” — Joshua Ferris, prize-winning author of To Rise Again at a Decent Hour
"Elegant and terrifying, steely and sparkling, White Ivy is a propulsive story told with the satisfying simplicity of a classic."— Rebecca Dinerstein Knight, author of Hex
"Bold, daring, and sexy, White Ivy is the immigrant story we’ve been dying to hear. Rather than submit to love, Ivy seeks it out, sinks her teeth into it, and doesn’t let go. A stunning debut." — Neel Patel, author of If You See Me, Don't Say Hi
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
IVY LIN WAS A THIEF but you would never know it to look at her. Maybe that was the problem. No one ever suspected—and that made her reckless. Her features were so average and nondescript that the brain only needed a split second to develop a complete understanding of her: skinny Asian girl, quiet, overly docile around adults in uniforms. She had a way of walking, shoulders forward, chin tucked under, arms barely swinging, that rendered her invisible in the way of pigeons and janitors.
Ivy would have traded her face a thousand times over for a blue-eyed, blond-haired version like the Satterfield twins, or even a redheaded, freckly version like Liza Johnson, instead of her own Chinese one with its too-thin lips, embarrassingly high forehead, two fleshy cheeks like ripe apples before the autumn pickings. Because of those cheeks, at fourteen years old, she was often mistaken for an elementary school student—an unfortunate hindrance in everything except thieving, in which her childlike looks were a useful camouflage.
Ivy’s only source of vanity was her eyes. They were pleasingly round, symmetrically situated, cocoa brown in color, with crescent corners dipped in like the ends of a stuffed dumpling. Her grandmother had trimmed her lashes when she was a baby to “stimulate growth,” and it seemed to have worked, for now she was blessed with a flurry of thick, black lashes that other girls could only achieve with copious layers of mascara, and not even then. By any standard, she had nice eyes—but especially for a Chinese girl—and they saved her from an otherwise plain face.
So how exactly had this unassuming, big-eyed girl come to thieving? In the same way water trickles into even the tiniest cracks between boulders, her personality had formed into crooked shapes around the hard structure of her Chinese upbringing.
When Ivy was two years old, her parents immigrated to the United States and left her in the care of her maternal grandmother, Meifeng, in their hometown of Chongqing. Of her next three years in China, she remembered very little except one vivid memory of pressing her face into the scratchy fibers of her grandmother’s coat, shouting, “You tricked me! You tricked me!” after she realized Meifeng had abandoned her to the care of a neighbor to take an extra clerical shift. Even then, Ivy had none of the undiscerning friendliness of other children; her love was passionate but singular, complete devotion or none at all.
When Ivy turned five, Nan and Shen Lin had finally saved enough money to send for their daughter. “You’ll go and live in a wonderful state in America,” Meifeng told her, “called Ma-sa-zhu-sai.” She’d seen the photographs her parents mailed home, pastoral scenes of ponds, square lawns, blue skies, trees that only bloomed vibrant pink and fuchsia flowers, which her pale-cheeked mother, whom she could no longer remember, was always holding by thin branches that resembled the sticks of sugared plums Ivy ate on New Year’s. All this caused much excitement for the journey—she adored taking trips with her grandmother—but at the last minute, after handing Ivy off to a smartly dressed flight attendant with fascinating gold buttons on her vest, Meifeng disappeared into the airport crowd.
Ivy threw up on the airplane and cried nearly the entire flight. Upon landing at Logan Airport, she howled as the flight attendant pushed her toward two Asian strangers waiting at the gate with a screaming baby no larger than the daikon radishes she used to help Meifeng pull out of their soil, crusty smears all over his clenched white fists. Ivy dragged her feet, tripped over a shoelace, and landed on her knees.
“Stand up now,” said the man, offering his hand. The woman continued to rock the baby. She addressed her husband in a weary tone. “Where are her suitcases?”
Ivy wiped her face and took the man’s hand. She had already intuited that tears would have no place with these brick-faced people, so different from the gregarious aunties in China who’d coax her with a fresh box of chalk or White Rabbit taffies should she display the slightest sign of displeasure.
This became Ivy’s earliest memory of her family: Shen Lin’s hard, calloused fingers over her own, his particular scent of tobacco and minty toothpaste; the clear winter light flitting in through the floor-to-ceiling windows beyond which airplanes were taking off and landing; her brother, Austin, no more than a little sack in smelly diapers in Nan’s arms. Walking among them but not one of them, Ivy felt a queer, dissociative sensation, not unlike being submerged in a bathtub, where everything felt both expansive and compressed. In years to come, whenever she felt like crying, she would invoke this feeling of being submerged, and the tears would dissipate across her eyes in a thin glistening film, disappearing into the bathwater.
NAN AND SHEN’S child-rearing discipline was heavy on the corporal punishment but light on the chores. This meant that while Ivy never had to make a bed, she did develop a high tolerance for pain. As with many immigrant parents, the only real wish Nan and Shen had for their daughter was that she become a doctor. All Ivy had to do was claim “I want to be a doctor!” to see her parents’ faces light up with approval, which was akin to love, and just as scarce to come by.
Meifeng had been an affectionate if brusque caretaker, but Nan was not this way. The only times Ivy felt the warmth of her mother’s arms were when company came over. Usually, it was Nan’s younger sister, Ping, and her husband, or one of Shen’s Chinese coworkers at the small IT company he worked for. During those festive Saturday afternoons, munching on sunflower seeds and lychees, Nan’s downturned mouth would right itself like a sail catching wind, and she would transform into a kinder, more relaxed mother, one without the little pinch between her brows. Ivy would wait all afternoon for this moment to scoot close to her mother on the sofa… closer… closer… and then, with the barest of movements, she’d slide into Nan’s lap.
Sometimes, Nan would put her hands around Ivy’s waist. Other times, she’d pet her head in an absent, fitful way, as if she wasn’t aware of doing it. Ivy would try to stay as still as possible. It was a frightful, stolen pleasure, but how she craved the touch of a bosom, a fleshy lap to rest on. She’d always thought she was being exceedingly clever, that her mother hadn’t a clue what was going on. But when she was six years old, she did the same maneuver, only this time, Nan’s body stiffened. “Aren’t you a little old for this now?”
Ivy froze. The adults around her chuckled. “Look how ni-ah your daughter is,” they exclaimed. Ni-ah was Sichuan dialect for clingy. Ivy forced her eyes open as wide as they would go. It was no use. She could taste the salt on her lips.
“Look at you,” Nan chastised. “They’re just teasing! I can’t believe how thin-skinned you are. You’re an older sister now, you should be braver. Now be good and ting hua. Go wipe your nose.”
To her dying day, Ivy would remember this feeling: shame, confusion, hurt, defiance, and a terrible loneliness that turned her permanently inward, so that when Meifeng later told her she had been a trusting and affectionate baby, she thought her grandmother was confusing her with Austin.
IVY BECAME A secretive child, sharing her inner life with no one, except on occasion, Austin, whose approval, unlike everyone else’s in the family, came unconditionally. Suffice it to say, neither of Ivy’s parents provided any resources for her fanciful imagination—what kind of life would she have, what kind of love and excitement awaited her in her future? These finer details Ivy filled in with books.
She learned English easily—indeed, she could not remember a time she had not understood English—and became a precocious reader. The tiny, unkempt West Maplebury Library, staffed by a half-deaf librarian, was Nan’s version of free babysitting. It was Ivy’s favorite place in the whole world. She was drawn to books with bleak circumstances: orphans, star-crossed lovers, captives of lecherous uncles and evil stepmothers, the anorexic cheerleader, the lonely misfit. In every story, she saw herself. All these heroines had one thing in common, which was that they were beautiful. It seemed to Ivy that outward beauty was the fountain from which all other desirable traits sprung: intelligence, courage, willpower, purity of heart.
She cruised through elementary school, neither at the top of her class nor the bottom, neither popular nor unpopular, but it wasn’t until she transferred to Grove Preparatory Day School in sixth grade—her father was hired as the computer technician there, which meant her tuition was free—that she found the central object of her aspirational life: a certain type of clean-cut, all-American boy, hitherto unknown to her; the type of boy who attended Sunday school and plucked daisies for his mother on Mother’s Day. His name was Gideon Speyer.
Ivy soon grasped the colossal miracle it would take for a boy like Gideon to notice her. He was friendly toward her, they’d even exchanged phone numbers once, for a project in American Lit, but the other Grove girls who swarmed around Gideon wore brown penny loafers with white cotton knee socks while Ivy was clothed in old-fashioned black stockings and Nan’s clunky rubber-soled lace-ups. She tried to emulate her classmates’ dress and behaviors as best she could with her limited resources: she pulled her hair back with a headband sewn from an old silk scarf, tossed green pennies onto the ivy-covered statue of St. Mark in the courtyard, ate her low-fat yogurt and Skittles under the poplar trees in the springtime—still she could not fit in.
How could she ever get what she wanted from life when she was shy, poor, and homely?
Her parents’ mantra: The harder you work, the luckier you are.
Her teachers’ mantra: Treat others the way you want to be treated.
The only person who taught her any practical skills was Meifeng. Ivy’s beloved grandmother finally received her US green card when Ivy turned seven. Two years of childhood is a decade of adulthood. Ivy still loved Meifeng, but the love had become the abstract kind, born of nostalgic memories, tear-soaked pillows, and yearning. Ivy found this flesh-and-blood Meifeng intimidating, brisk, and loud, too loud. Having forgotten much of her Chinese vocabulary, Ivy was slow and fumbling when answering her grandmother’s incessant questions; when she wasn’t at the library, she was curled up on the couch like a snail, reading cross-eyed.
Meifeng saw that she had no time to lose. She felt it her duty to instill in her granddaughter the two qualities necessary for survival: self-reliance and opportunism.
Back in China, this had meant fixing the books at her job as a clerk for a well-to-do merchant who sold leather gloves and shoes. The merchant swindled his customers by upcharging every item, even the fake leather products; his customers made up the difference with counterfeit money and sleight of hand. Even the merchant’s wife pilfered money from his cash register to give to her own parents and siblings. And it was Meifeng who jotted down all these numbers, adding four-digit figures in her head as quick as any calculator, a penny or two going into her own paycheck with each transaction.
Once in Massachusetts, unable to find work yet stewing with enterprising restlessness, Meifeng applied the same skills she had previously used as a clerk toward saving money. She began shoplifting, price swapping, and requesting discounts on items for self-inflicted defects. She would hide multiple items in a single package and only pay for one.
The first time Meifeng recruited Ivy for one of these tasks was at the local Goodwill, the cheapest discount store in town. Ivy had been combing through a wooden chest of costume jewelry and flower brooches when her grandmother called her over using her pet name, Baobao, and handed her a wool sweater that smelled of mothballs. “Help me get this sticker off,” said Meifeng. “Don’t rip it now.” She gave Ivy a look that said, You’d better do it properly or else.
Ivy stuck her nail under the corner of the white $2.99 sticker. She pushed the label up with minuscule movements until she had enough of an edge to grab between her thumb and index finger. Then, ever so slowly, she peeled off the sticker, careful not to leave any leftover gunk on the label. After Ivy handed the sticker over, Meifeng stuck it on an ugly yellow T-shirt. Ivy repeated the same process for the $0.25 sticker on the T-shirt label. She placed this new sticker onto the price tag for the sweater, smoothing the corners down flat and clean.
Meifeng was pleased. Ivy knew because her grandmother’s face was pulled back in a half grimace, the only smile she ever wore. “I’ll buy you a donut on the way home,” said Meifeng.
Ivy whooped and began spinning in circles in celebration. In her excitement, she knocked over a stand of scarves. Quick as lightning, Meifeng grabbed one of the scarves and stuffed it up her left sleeve. “Hide one in your jacket—any one. Quickly!”
Ivy snatched up a rose-patterned scarf (the same one she would cut up and sew into a headband years later) and bunched it into a ball inside her pocket. “Is this for me?”
“Keep it out of sight,” said Meifeng, towing Ivy by the arm toward the register, a shiny quarter ready, to pay for the woolen sweater. “Let this be your first lesson: give with one hand and take with the other. No one will be watching both.”
THE GOODWILL CLOSED down a year later, but by then, Meifeng had discovered something even better than Goodwill—an event Americans called a yard sale, which Meifeng came to recognize by the hand-painted cardboard signs attached to the neighborhood trees. Each weekend, Meifeng scoured the sidewalks for these hand-painted signs, dragging her grandchildren to white-picket-fenced homes with American flags fluttering from the windows and lawns lined with crabapple trees. Meifeng bargained in broken English, holding up arthritic fingers to display numbers, all the while loudly protesting “Cheaper, cheaper,” until the owners, too discomfited to argue, nodded their agreement. Then she’d reach into her pants and pull out coins and crumpled bills from a cloth pouch, attached by a cord to her underwear.
Other yard sale items, more valuable than the rest, Meifeng simply handed to Ivy to hide in her pink nylon backpack. Silverware. Belts. A Timex watch that still ticked. No one paid any attention to the children running around the yard, and if after they left the owner discovered that one or two items had gone unaccounted for, he simply attributed it to his worsening memory.
Walking home by the creek after one of these excursions, Meifeng informed Ivy that Americans were all stupid. “They’re too lazy to even keep track of their own belongings. They don’t ai shi their things. Nothing is valuable to them.” She placed a hand on Ivy’s head. “Remember this, Baobao: when winds of change blow, some build walls. Others build windmills.”
Ivy repeated the phrase. I’m a windmill, she thought, picturing herself swinging through open skies, a balmy breeze over her gleaming mechanical arms.
Austin nosed his way between the two women. “Can I have some candy?”
“What’d you do with that lollipop your sister gave you?” Meifeng barked. “Dropped it again?”
And Austin, remembering his loss, scrunched up his face and cried.
IVY KNEW HER brother hated these weekends with their grandmother. At five years old, Austin had none of the astute restraint his sister had had at his age. He would howl at the top of his lungs and bang his chubby fists on the ground until Meifeng placated him with promises to buy a toy—“a dollar toy?”—or a trip to McDonald’s, something typically reserved for special occasions. Meifeng would never have tolerated such a display from Ivy, but everyone in the Lin household indulged Austin, the younger child, and a boy at that. Ivy wished she had been born a boy. Never did she wish this more fervently than at twelve years old, the morning she awoke to find her underwear streaked with a matte, rust-like color. Womanhood was every bit as inconvenient as she’d feared. Nan did not own makeup or skincare products. She cut her own hair and washed her face every morning with water and a plain washcloth. One week a month, she wore a cloth pad—reinforced with paper towels on the days her flow was heaviest—which she rinsed each night in the sink and hung out to dry on the balcony. But American women had different needs: disposable pads, tampons, bras, razors, tweezers. It was unthinkable for Ivy to ask for these things. The idea of removing one’s leg or underarm hair for aesthetic reasons would have instilled in her mother a horror akin to slicing one’s skin open. In this respect, Nan and Meifeng were of one mind. Ivy knew she could only rely on herself to obtain these items. That was when she graduated from yard sales to the two big-box stores in town: Kmart and T.J.Maxx.
Her first conquests: tampons, lip gloss, a box of Valentine’s Day cards, a bag of disposable razors. Later, when she became bolder: rubber sandals, a sports bra, mascara, an aquamarine mood ring, and her most prized theft yet—a leather-bound diary with a gold clasp lock. These contrabands she hid in the nooks and crannies of her dresser, away from puritan eyes. At night, Ivy would sneak out her diary and copy beautiful phrases from her novels—For things seen pass away, but the things that are unseen are eternal—and throughout those last two years of middle school, she wrote love letters to Gideon Speyer: I had a vivid dream this morning, it was so passionate I woke up with an ache… I held your face in my hands and trembled… if only I wasn’t so scared of getting close to you… if only you weren’t so perfect in every way…
And so Ivy grew like a wayward branch. Planted to the same root as her family but reaching for something beyond their grasp. Years of reconciling her grandmother’s teachings with her American values had somehow culminated in a confused but firm belief that in order to become the “good,” ting hua girl everyone asked of her, she had to use “smart” methods. But she never admitted how much she enjoyed these methods. She never got too greedy. She never got sloppy. And most important, she never got caught. It comforted her to think that even if she were accused of wrongdoing someday, it would be her accuser’s word against hers—and if there was anything she prided herself on other than being a thief, it was being a first-rate liar.
Product details
- Publisher : S&S/ Marysue Rucci Books; First Edition (November 3, 2020)
- Language : English
- Hardcover : 368 pages
- ISBN-10 : 1982100591
- ISBN-13 : 978-1982100599
- Item Weight : 1.15 pounds
- Dimensions : 1.34 x 6.42 x 9.25 inches
- Best Sellers Rank: #135,409 in Books (See Top 100 in Books)
- #120 in Asian American & Pacific Islander Literature (Books)
- #3,209 in Literary Fiction (Books)
- #6,719 in Women's Literature & Fiction
- Customer Reviews:
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Customers find the book well-written and easy to read, with one describing it as a perfect beach read. The story quality receives mixed feedback - while some find it intriguing until the end, others say the plot line is predictable. Customers disagree on the pacing, with some finding it fast-paced while others say it starts slow. Character development and interest also receive mixed reviews, with some appreciating the layered character study while others find the main character unlikeable and the story depressing. Several customers express that the book is not worth their time.
AI-generated from the text of customer reviews
Customers find the book compelling and fun to read, with one customer noting it's a perfect beach read.
"...But it was wonderful vor bookclub, the discussion centered around Ivy Lin‘s quest to assimilate and attain the unattainable an acceptance by the New..." Read more
"...It is a genre I truly enjoy and often read, being an American who has lived in China for 11 years and is married to a Chinese woman who comes from..." Read more
"I thoroughly enjoyed this book and read it in a couple of sittings...." Read more
"I liked the book and it kept my interest but the main character was so very flawed. She had few redeeming qualities, if any." Read more
Customers praise the writing quality of the book, finding it well-crafted and easy to read, with one customer noting its lush dialogue.
"I thoroughly enjoyed this book and read it in a couple of sittings...." Read more
"...Yang is a talented author. I hope to read a sequel, perhaps with more focus on Arthur." Read more
"I can tell this writer has talent. I love the way she phrases things. But holy hell, this book was tiresome...." Read more
"...Her education is quite enviable (allusions to some girls liberal arts college), and her career though not illustrious is sustaining..." Read more
Customers have mixed opinions about the story quality of the book, with some finding it intriguing until the end and appreciating its suspenseful drama, while others note that the plot line is predictable.
"White Ivy by @susieyyang is a classic coming of age in an immigrant family story...." Read more
"...There are some shocking revelations and a deep study into bizarre violence. The book becomes a dark novel, but in a good way...." Read more
"...thinking there might eventually be a happy ending, and then an unsettling climax you totally see coming...." Read more
"...Oh, my goodness. The things Ivy will do. I found her adult adventures disconcerting, hopeful, strange, and cold as well as human, heart-wrenching,..." Read more
Customers have mixed opinions about the character development in the book, with some finding the characters fleshed out and layered, while others find the main character very unlikeable.
"Susie Yang’s debut novel WHITE IVY is a layered character study that left me with a lot to think about...." Read more
"...I think it was a tedious beginning with no real pull to admire any characters, an arduous middle that leads you on, thinking there might eventually..." Read more
"...The writing is professional. And the character development is complete, but largely two-dimensional...." Read more
"...Ivy is a wonderfully flawed yet sympathetic protagonist...." Read more
Customers have mixed opinions about the pacing of the book, with some finding it fast-paced while others note that it starts a little slow.
"...However, Ivy has a few things going for her; she is pretty with beautiful eyes and is smart...." Read more
"...The book starts a little slow, but I found the look into Chinese American culture fascinating...." Read more
"...of dark desperation and the plot is full of thoughtful twists and artful turns...." Read more
"Interesting look at the power of a young woman who did not understand that she could use it many ways...." Read more
Customers find the book disappointing, describing it as poorly thought out and not worth their time.
"...I love the way she phrases things. But holy hell, this book was tiresome. I’ve read other reviews that mention “twists.”..." Read more
"...She’s often she’s unlikable and pitiful, but I still found myself rooting for her...." Read more
"...It left me feeling very angry, disappointed and sad. I read a book to be uplifted. If you are looking for such a book, this definitely is not it...." Read more
"...There was nothing special about it and a bit sloppy to say the least." Read more
Customers find the book depressing, with one mentioning it becomes a dark novel.
"...The book becomes a dark novel, but in a good way. Desperation can produce drastic actions...." Read more
"...While it is well written and easy to read i was bored until the last half. I was actually hoping the would be a murder or Ivy burning something down...." Read more
"...Writing was fine, it was just basically a very boring plot." Read more
"...It left me feeling very angry, disappointed and sad. I read a book to be uplifted. If you are looking for such a book, this definitely is not it...." Read more
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Amazing debut novel!
Top reviews from the United States
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- Reviewed in the United States on February 24, 2021Susie Yang’s debut novel WHITE IVY is a layered character study that left me with a lot to think about. Good thing it was a bookclub pick since “A young woman’s dark obsession with her privileged classmate” isn’t a premise that’ll typically catch my eye.
But it was wonderful vor bookclub, the discussion centered around Ivy Lin‘s quest to assimilate and attain the unattainable an acceptance by the New England WASP‘s she had idealized since her childhood.
The early chapters about Ivy’s childhood shed light on the factors that shape her, including a three-year separation from her parents, her grandmother’s influence, and a summer trip to China. In her middle school years at a private school, Ivy is exposed to wealth and privilege—a stark contrast to her poor immigrant family’s means—and meets a classmate, Gideon, whom she idealizes and sees as the epitome of success in life.But thankfully, it’s never really about Gideon.
White Ivy explores appearances—the assumptions others make based on Ivy’s outward appearance, stereotypes about Asian women, the Chinese concept of “saving face“ and „toughening up“, the way Ivy values appearances over truth. Ivy’s desperation to be part of a white, privileged world exudes from every page, making the reader an intimate witness to her calculating actions, self-doubt, and loneliness. It’s frustrating to see Ivy pursue this goal for the “peace” while self-sabotaging. When she reconnects with her mother and grandmother, she gains a new understanding of who they are and the meaning of family. I wish that Ivy’s moment of realization had come sooner so that it could’ve been explored more, but this was not a tale of redemption; rather, be chilled by how harmful a misplaced striving can be.
- Reviewed in the United States on January 13, 2021White Ivy by @susieyyang is a classic coming of age in an immigrant family story. We catch up with Ivy, who recently moved from China to Boston, and was taught at a young age to shoplift and steal but her grandmother. Her father gets a good job at an elite prep school and Ivy gets to there. But she has a very difficult time fitting in. This is the basic theme of the book. Ivy’s always the one on the outside.
In grade school, Ivy develops a crush on Gideon, a blond hunk whose father is a senator. She sneaks around to see him more and everntually her parents catch her. Her parents send her to her cousin’s in China and when she is away, they move the family to NJ. Ivy moves to Boston for college and stays there when she runs into Gideon’s sister and finagles her way into a party where she connects with Gideon again. The story follows the rest of Ivy’s life and her relationship with Gideon.
The book starts a little slow, but I found the look into Chinese American culture fascinating. The different ways they parents their daughter and their son were really compelling to me. I found the meeting of Gideon’s parents and Ivy’s parents to be one of the highlights of the book.
The genre of this character driven novel has been a little incorrectly categorized as a thriller and I would disagree. I would call this more contemporary fiction or even women’s fiction. The twist at the end sort of puts it in the thriller area, but wouldn’t call this a thriller.
White Ivy by @susieyyang is a classic coming of age in an immigrant family story. We catch up with Ivy, who recently moved from China to Boston, and was taught at a young age to shoplift and steal but her grandmother. Her father gets a good job at an elite prep school and Ivy gets to there. But she has a very difficult time fitting in. This is the basic theme of the book. Ivy’s always the one on the outside.
In grade school, Ivy develops a crush on Gideon, a blond hunk whose father is a senator. She sneaks around to see him more and everntually her parents catch her. Her parents send her to her cousin’s in China and when she is away, they move the family to NJ. Ivy moves to Boston for college and stays there when she runs into Gideon’s sister and finagles her way into a party where she connects with Gideon again. The story follows the rest of Ivy’s life and her relationship with Gideon.
The book starts a little slow, but I found the look into Chinese American culture fascinating. The different ways they parents their daughter and their son were really compelling to me. I found the meeting of Gideon’s parents and Ivy’s parents to be one of the highlights of the book.
The genre of this character driven novel has been a little incorrectly categorized as a thriller and I would disagree. I would call this more contemporary fiction or even women’s fiction. The twist at the end sort of puts it in the thriller area, but wouldn’t call this a thriller.
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- Reviewed in the United States on November 7, 2020While every reviewer has an obligation to be as objective as possible, it is sometimes difficult to know if a criticism is valid or if the author is simply not the target audience for this particular book. Which is precisely why I do not review many of the books I read. I feel a sincere obligation to the author and the potential reader to only offer reviews of books I was intended to read.
This book is classified on Amazon under the Asian American Literature genre. It is a genre I truly enjoy and often read, being an American who has lived in China for 11 years and is married to a Chinese woman who comes from very modest beginnings not dissimilar to those of Ivy Lin.
The introduction on Amazon says that the story of Ivy Lin offers “stark insights into the immigrant experience…” And the book’s reading group guide describes it as “A coming of age story, a love triangle, an exploration of class and race and identity.” My kind of book, I thought.
In the end, however, I believe this is an immigrant’s story in only the most technical sense. It is, rather, the story of a woman born in China with a very Western worldview (How it was acquired is not clear.) that follows her family to the US in search of wealth and the respectability and the happiness she believes it will provide her.
While the Chinese seek wealth and respectability as well, however, Ivy’s definitions seem to come directly from the Boston Brahmin/ WASP handbook, showcased in the extreme by the New England family she wants to marry into. The Chinese define wealth and respectiblity very differently and pursue them for very different reasons. (Less material obsession, more familial piety.)
Little of the book actually takes place in China, moreover, and you will learn little about Chinese culture compared to what you’ll find in books by Pearl S. Buck or Lisa See.
Asian immigrants are often referred to as model immigrants but the reason for that is not just that they are hardworking and generally respectful but that they don’t define immigration in the same way most Americans do. Although I have lived and worked in China for a fairly long time, no Chinese, including my wife, thinks of me as an immigrant. In China you are either Chinese or you are a foreigner and the latter can never become the former, although I have never felt any sense of pejorative judgment about my status. I am just a foreigner. If you speak the language flawlessly you are merely a foreigner who speaks Chinese. If you have lived here a very long time, you are merely a foreigner who has lived here a long time.
While I believe few things in life are binary, I do believe that the primary differences between Chinese culture and Western culture can be explained by worldview. The Chinese worldview is very inductive. Things are simply what they are. “The snow goose need not bathe to make itself white.” (The proverb that the author opens the book with.) Which is why traditional Chinese culture is full of superstition and mythology and there is an open acceptance of luck or the lack thereof.
Western culture, on the other hand, is built on a more deductive foundation. We are slaves to cause and effect, to rules, and personal merit is a near-religion, which is why we put such value on the things we own and why most billionaires strive to be even richer. (It is a sign of merit, not luck.)
Ivy was deductive from the moment she landed on American shores. She is always trying to understand, to scheme, to get ahead, but in the Western, not the Eastern sense. She is a thief, in other words, at many levels, as the first line of the book introduces her.
The writing is professional. And the character development is complete, but largely two-dimensional. We can visualize the characters but we don’t ever really come to know them. They are very much like the pieces on a chessboard. They have purpose, but no essence. As the author notes, “All women, Ivy was beginning to understand, had a theme.” Don’t we all. But does our theme truly define us or is it just the costume we wear?
Many of the female characters, including Ivy, use meaningless and frequent sex to create their themes, although it’s tame and not graphic. Still, I thought the tool was over-used and after the first third of the book thought is was more of a teenage romance novel and almost put it down. Ultimately, however, I realized that this is a novel about themes, not romance. Romantic, Ivy is not, so I began to see her promiscuity in a different light.
In the end, I have to conclude, I was not the target audience for this book. But if you think you are you should read some of the other reviews.
Top reviews from other countries
- romance readerReviewed in Canada on December 28, 2020
5.0 out of 5 stars Haunting and Tragic
There were so many unexpected twists and turns. The characters are unique and complicated. This story is definitely not a light read but a page turner for sure .
- Rachel BridgemanReviewed in the United Kingdom on August 19, 2021
5.0 out of 5 stars An unmissable debut!
This is one of those rare jewels of a novel, immaculately constructed and with a narrative voice whose authenticity is starkly juxtaposed with the choices that everyone else wants for her.
Left behind in China with her grandmother whilst her parents went to the promised land, America, Ivy straddles two very different continents and grows up learning to juggle her sense of fulfilment from both. She has the American Dream thrown at her from every corner and longs for nothing more than acceptance by her peers who remain distrustful and wary of her-she is unaware that they have her held up to them as a model of how to obey their parents which doesn't help Ivy at all.
So she learns to take, to steal, almost as if she is stealing the personality and future that she wishes for herself versus her parents' expectations of greatness for her. There is a disconnect between punishment and praise, they punish her for not being the child that they raised because her formative years were moulded by her grandmother in China. Conversely, Ivy has no idea of just what her parents are going through to make ends meet and achieve what they think is the dream-successful children, house ownership and monetary status all predicated by hard work ethics.
The only person who she has some common ground with is Polish immigrant, Roux, who could 'pass' for American but chooses not to, he wears his outsider badge like a visible red flag for anyone expecting him to adopt another country's morals and expectations-
''Wear the right clothes,get a haircut,smile at a few girls and bam -transformation. It would be so easy for him to disguise himself as any all-American boy,and yet he made no effort to do so , whereas she,who took such pains with her clothes and her ma nerisms,would always have yellow skin and black hair and a squat nose,her exterior self hiding the truth that she was American! American! American!-the injustice of it stung deeply''.
It is such an eye opener of a novel, listening to Ivy's voice and her frustrations at her life really makes you stop and think about what is held up be a gold standard for us to aim for, and yet, when you achieve that, there is always someone there waiting to 'pull you down a peg or two to remind you where you came from'.
It is such a strange double standard and you look for the commonality as you reflect on what your parents and society has lined up for you, how do you break out of that box which you are born and raised in?
Emblems of success for Ivy are her Chinese cousin to whom she is sent as punishment for a social infraction. It turns out to be a life changing experience that sends her home with yet another change-in her absence, her parents have moved house again. All her hard won progress in her looks, deportment and confidence are lost as the people she aimed to impress, the golden haired boy at her school, Gideon, is no longer accessible to her. And yet, she had a glimpse of another life in Sunrin's house, being treated almost as royalty would be because she is recognised as American.
Her howl of rage rises visibly from the page, she has been the implement of her parent's ambitions her entire life and , taking off and leaving to create her own life is her revenge. Gideon remains her golden fleece, she feels that she will make it if she has an equivalent partner, but never expects that life will throw up surprises in the most unexpected ways...
This is such a clever book, it has so much to say about the immigrant experience versus the American way of life when there actually quite a few points of commonality between them, mainly, the notion that if you work hard enough you can get anywhere in life. Ivy's voice is so strongly her own, and unique, and yet she does not recognise her value, feeling she is stranded between two very different types of life-
''Wasn't her mother proof that you first love wasn't frivolous and fleeting,and that the loss of it could destroy you,leaving behind a bitter husk of a woman who resented her husband and children because they were not the family she was supposed to have?''
The sadness underlying this is that in her efforts to behave in the exact opposite of her mother and grandmother, by identifying and running from all the things held up to her as valuable, she is at a huge risk of recreating her female relative's 'mistakes'. Sometimes, if you push a child too hard they don't just run in the opposite direction, their determination not to become 'like that' has them completing a full circle.
The plant, Ivy, is described as stubborn and self-supporting, it grows rapidly and can cause structural damage to foundations and I cannot imagine a more perfect name for this narrative voice. Her object of desire, Gideon, has Biblical connotations as he is seen as a hero who led his people against Israeli oppressors, and that also fits with Gideon being seen as the culmination of Ivy's goals. But, just a life throws Gideon back into Ivy's life, another spectre from her past also re-appears to shake the foundations of her new life. And this one won't be easily shaken off.
There is also so much to be said about the way mainstream cultures regard and treat the 'outsiders', consider the most recent 'not in our back yard' argument about the Afghan refugees from a problem created by , and maintained by the West. The responsibility of each human to see each other as a human being with dreams, influences and hopes for better has never been more necessary yet in such short supply.
A novel which is as deeply affecting and poignant as 'White Ivy' does not come along very often so I would urge readers who might come across a copy to pick it up, listen to Ivy's voice, and let her tell her tale...
- Alice WalshReviewed in Canada on April 6, 2025
4.0 out of 5 stars A great read
I found this book to be very engaging. The characters, even the minor ones, are interesting and believable. A great read!
- VeronicaReviewed in Italy on September 12, 2021
1.0 out of 5 stars What did I just read?
Terrible, honestly. I thought it was totally another book, the ending is terrible, the main character is unbearable, at some point I rooted against her
- LimaKiloReviewed in the United Kingdom on June 15, 2021
3.0 out of 5 stars Well written Mills & Boon
Have to agree with Clare in Kent. The storyline is straight out of Mills & Boon. Totally presposterous. 3 stars because I managed to stay interested enough to finish it. Well written tosh.