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The Vanishing Half: A GMA Book Club Pick (A Novel) Hardcover – June 2, 2020
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ONE OF BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR
NAMED A BEST BOOK OF 2020 BY THE NEW YORK TIMES • THE WASHINGTON POST • NPR • PEOPLE • TIME MAGAZINE • VANITY FAIR • GLAMOUR
New York Times Readers Pick: 100 Best Books of the 21st Century
2021 WOMEN'S PRIZE FINALIST
“Bennett’s tone and style recalls James Baldwin and Jacqueline Woodson, but it’s especially reminiscent of Toni Morrison’s 1970 debut novel, The Bluest Eye.” —Kiley Reid, Wall Street Journal
“A story of absolute, universal timelessness . . . For any era, it's an accomplished, affecting novel. For this moment, it’s piercing, subtly wending its way toward questions about who we are and who we want to be….” – Entertainment Weekly
From The New York Times-bestselling author of The Mothers, a stunning new novel about twin sisters, inseparable as children, who ultimately choose to live in two very different worlds, one black and one white.
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' storylines intersect?
Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person's decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.
As with her New York Times-bestselling debut The Mothers, Brit Bennett offers an engrossing page-turner about family and relationships that is immersive and provocative, compassionate and wise.
- Print length352 pages
- LanguageEnglish
- PublisherRiverhead Books
- Publication dateJune 2, 2020
- Dimensions6.22 x 0.82 x 9.2 inches
- ISBN-100525536299
- ISBN-13978-0525536291
Book recommendations, author interviews, editors' picks, and more. Read it now.
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From the Publisher


Editorial Reviews
Amazon.com Review
Review
Praise for The Vanishing Half:
“[Bennett’s] second [book], The Vanishing Half, more than lives up to her early promise. . . more expansive yet also deeper, a multi-generational family saga that tackles prickly issues of racial identity and bigotry and conveys the corrosive effects of secrets and dissembling. It's also a great read that will transport you out of your current circumstances, whatever they are. . . Like The Mothers, this novel keeps you turning pages not just to find out what happens.” —NPR
“Bennett’s gorgeously written second novel, an ambitious meditation on race and identity, considers the divergent fates of twin sisters, born in the Jim Crow South, after one decides to pass for white. Bennett balances the literary demands of dynamic characterization with the historical and social realities of her subject matter.”—The New York Times
“An eloquent new entry to literature on that most vital of subjects, identity, The Vanishing Half is the novel of the year.”—TIME
“A story of absolute, universal timelessness — a story of what it means to simply be, to grow up and define oneself and reinvent, to negotiate a place in the world. It's also a deeply American story, rigorously engaged with a country's racist past and present, while interrogative of its foundational values, like choice and legacy. For any era, it's an accomplished, affecting novel. For this moment, it's piercing, subtly wending its way toward questions about who we are and who we want to be….” —Entertainment Weekly
“Beautifully written, thought-provoking and immersive… Issues of privilege, inter-generational trauma, the randomness and unfairness of it all, are teased apart in all their complexity, within a story that also touches on universal themes of love, identity and belonging… The Vanishing Half, with its clever premise and strongly developed characters, is unputdownable and highly recommended.” —Associated Press
“Bennett pulls it off brilliantly… Few novels manage to remain interesting from start to finish, even — maybe especially — the brilliant ones. But… Bennett locks readers in and never lets them go… Stunning…She leaves any weighty parallels — between, for example, racial and gender determinism — to the reader. Her restraint is the novel’s great strength, and it’s tougher than it looks… The Vanishing Half speaks ultimately of a universal vanishing. It concerns the half of everyone that disappears once we leave home — love or hate the place, love or hate ourselves.” —Los Angeles Times
“Provides a meditation on the nuance of race that feels important, now more than ever. It’s the kind of novel that demands to be read — a propulsive, heartfelt work that keeps its reader both glued to the page and chastened by the idea that soon the experience will come to an end. . . You can call The Vanishing Half an escape, but it’s a meaningful one.” —InStyle
"My hope is that the warranted praise Ms. Bennett receives for this novel will have less to do with her efficient handling of timely, or 'relevant,' subject matter than for her insights into the mysterious compound of what we call truth: a mixture of the identities we’re born with and those we create."—Wall Street Journal
“Reinvention and erasure are two sides of the same coin. Bennett asks us to consider the meaning of authenticity when we are faced with racism, colorism, sexism and homophobia. What price do we pay to be ourselves? How many of us choose to escape what is expected of us? And what happens to the other side of the equation, the side we leave behind? The Vanishing Half answers all these questions in this exquisite story of love, survival and triumph.” —The Washington Post
“A stunning page-turner… It’s a powerful story about family, compassion, identity and roots… You will be thinking about The Vanishing Half long after you turn the final page.” —Good Morning America
“Brilliant … The Vanishing Half is at once a crowning jewel within that body of work and a standalone achievement that transcends the subject, a deeply human exploration of relationships and one of the most un-put-downable reads of the year." – GQ
“Intricately plotted, exceedingly moving story…with insights into the social and cultural history of passing, while telling what is at heart a tender story about sisterhood, identity and, as Bennett said, 'the endlessly interesting question of which elements in our identity are innate, and which do we choose?'"—San Francisco Chronicle
“Nuanced and deeply moving, The Vanishing Half is an unforgettable meditation on family, privilege, and belonging.” – Esquire
“The legacy of Toni Morrison looms large in The Vanishing Half.” – Vox
“If you’re looking to escape into a fictional story, Bennett brilliantly examines race and identity, family and history, and love and belonging—and it just may make you reflect on the realities of your own.” – Forbes
“Breathtaking plot.” —People
“[The Vanishing Half] is a dazzling mosaic exploring racism, colorism, and the expectations we place on the ones we love the most.” – Marie Claire
"I don't think I've read a book that covers passing in the way that this one does . . epic." —Kiley Reid in O, the Oprah Magazine
“Here, in her sensitive, elegant prose, [Bennett] evokes both the strife of racism, and what it does to a person even if they can evade some of its elements.”—Vogue
“Bennett creates a striking portrait of racial identity in America.” —TIME
“Bennett writes like a master, reminiscent of Toni Morrison, Anne Tyler and Elizabeth Strout.” —BookPage
“One of Bennett’s gifts as a writer is this: Her plots entertain you while her characters make you think. In this case, about race, gender, privilege, and the ways an identity can be built, challenged, and rebuilt.” – Goop
“This is sure to be one of 2020’s best and boldest… A tale of family, identity, race, history, and perception, Bennett’s next masterpiece is a triumph of character-driven narrative.” —Elle
“A marvel…The Vanishing Half is an intergenerational examination of identity, and what it’s like to grow up in a body you’ve been conditioned to feel ashamed of. It’s a poignant family story that doesn’t shy away from the intersections of race, class, and gender—all while capturing the reader’s heart and mind in a way only Bennett can.” —The Rumpus
"Irresistible ... an intergenerational epic of race and reinvention, love and inheritance, divisions made and crossed, binding trauma, and the ever-present past." —Booklist, STARRED Review
"Assured and magnetic. . .Bennett is deeply engaged in the unknowability of other people and the scourge of colorism…calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. . . . [a] rich, sharp story about the way identity is formed."—Kirkus, STARRED review
"Impressive … This prodigious follow-up surpasses Bennett’s formidable debut."—Publishers Weekly, STARRED review
“The Vanishing Half is an utterly mesmerising novel, which gripped me from the first word to the last. It seduces with its literary flair, surprises with its breath-taking plot twists, delights with its psychological insights, and challenges us to consider the corrupting consequences of racism on different communities and individual lives. I absolutely loved this book.” —Bernardine Evaristo, Booker Prize winning author of Girl, Woman, Other
“The detail and the feeling showcased in every sentence Brit Bennett writes is breath taking. The Vanishing Half is a novel that shows just how human emotion, uncertainty and longing can be captured and put on paper.” —Candice Carty-Williams, author of Queenie
"A novel of immense, shining, powerful intelligence.” —Deborah Levy, two-time Booker shortlisted novelist
“An impressive and arresting novel. Perceptive in its insights and poised in execution, this is an important, timely examination of the impact of race on personality, experience and relationships.” —Diana Evans, the Orange Award winning author of Ordinary People
“The Vanishing Half should mark the induction of Brit Bennett into the small group of likely successors to Toni Morrison, Zora Neale Hurston, and Nella Larsen..” —Sara Collins, author of The Confessions of Frannie Langton
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
One
The morning one of the lost twins returned to Mallard, Lou LeBon ran to the diner to break the news, and even now, many years later, everyone remembers the shock of sweaty Lou pushing through the glass doors, chest heaving, neckline darkened with his own effort. The barely awake customers clamored around him, ten or so, although more would lie and say that they'd been there too, if only to pretend that this once, they'd witnessed something truly exciting. In that little farm town, nothing surprising ever happened, not since the Vignes twins had disappeared. But that morning in April 1968, on his way to work, Lou spotted Desiree Vignes walking along Partridge Road, carrying a small leather suitcase. She looked exactly the same as when she'd left at sixteen-still light, her skin the color of sand barely wet. Her hipless body reminding him of a branch caught in a strong breeze. She was hurrying, her head bent, and-Lou paused here, a bit of a showman-she was holding the hand of a girl, eight or so, and black as tar.
"Blueblack," he said. "Like she flown direct from Africa."
Lou's Egg House splintered into a dozen different conversations. The line cook wondered if it had been Desiree after all, since Lou was turning sixty in May and still too vain to wear his eyeglasses. The waitress said that it had to be-even a blind man could spot a Vignes girl and it certainly couldn't have been that other one. The diners, abandoning grits and eggs on the counter, didn't care about that Vignes foolishness-who on earth was the dark child? Could she possibly be Desiree's?
"Well, who else's could it be?" Lou said. He grabbed a handful of napkins from the dispenser, dabbing his damp forehead.
"Maybe it's an orphan that got took in."
"I just don't see how nothin that black coulda come out Desiree."
"Desiree seem like the type to take in no orphan to you?"
Of course she didn't. She was a selfish girl. If they remembered anything about Desiree, it was that and most didn't recall much more. The twins had been gone fourteen years, nearly as long as anyone had ever known them. Vanished from bed after the Founder's Day dance, while their mother slept right down the hall. One morning, the twins crowded in front of their bathroom mirror, four identical girls fussing with their hair. The next, the bed was empty, the covers pulled back like any other day, taut when Stella made it, crumpled when Desiree did. The town spent all morning searching for them, calling their names through the woods, wondering stupidly if they had been taken. Their disappearance seemed as sudden as the rapture, all of Mallard the sinners left behind.
Naturally, the truth was neither sinister nor mystical; the twins soon surfaced in New Orleans, selfish girls running from responsibility. They wouldn't stay away long. City living would tire them out. They'd run out of money and gall and come sniffling back to their mother's porch. But they never returned again. Instead, after a year, the twins scattered, their lives splitting as evenly as their shared egg. Stella became white and Desiree married the darkest man she could find.
Now she was back, Lord knows why. Homesick, maybe. Missing her mother after all those years or wanting to flaunt that dark daughter of hers. In Mallard, nobody married dark. Nobody left either, but Desiree had already done that. Marrying a dark man and dragging his blueblack child all over town was one step too far.
In Lou's Egg House, the crowd dissolved, the line cook snapping on his hairnet, the waitress counting nickels on the table, men in coveralls gulping coffee before heading out to the refinery. Lou leaned against the smudged window, staring out at the road. He ought to call Adele Vignes. Didn't seem right for her to be ambushed by her own daughter, not after everything she'd already been through. Now Desiree and that dark child. Lord. He reached for the phone.
"You think they fixin to stay?" the line cook asked.
"Who knows? She sure seem in a hurry though," Lou said. "Wonder what she hurryin to. Look might past me, didn't wave or nothin."
"Uppity. And what reason she got to be uppity?"
"Lord," Lou said. "I never seen a child that black before."
It was a strange town.
Mallard, named after the ring-necked ducks living in the rice fields and marshes. A town that, like any other, was more idea than place. The idea arrived to Alphonse Decuir in 1848, as he stood in the sugarcane fields he'd inherited from the father who'd once owned him. The father now dead, the now-freed son wished to build something on those acres of land that would last for centuries to come. A town for men like him, who would never be accepted as white but refused to be treated like Negroes. A third place. His mother, rest her soul, had hated his lightness; when he was a boy, she'd shoved him under the sun, begging him to darken. Maybe that's what made him first dream of the town. Lightness, like anything inherited at great cost, was a lonely gift. He'd married a mulatto even lighter than himself. She was pregnant then with their first child, and he imagined his children's children's children, lighter still, like a cup of coffee steadily diluted with cream. A more perfect Negro. Each generation lighter than the one before.
Soon others came. Soon idea and place became inseparable, and Mallard carried throughout the rest of St. Landry Parish. Colored people whispered about it, wondered about it. White people couldn't believe it even existed. When St. Catherine's was built in 1938, the diocese sent over a young priest from Dublin who arrived certain that he was lost. Didn't the bishop tell him that Mallard was a colored town? Well, who were these people walking about? Fair and blonde and redheaded, the darkest ones no swarthier than a Greek? Was this who counted for colored in America, who whites wanted to keep separate? Well, how could they ever tell the difference?
By the time the Vignes twins were born, Alphonse Decuir was dead, long gone. But his great-great-great-granddaughters inherited his legacy, whether they wanted to or not. Even Desiree, who complained before every Founder's Day picnic, who rolled her eyes when the founder was mentioned in school, as if none of that business had anything to do with her. This would stick after the twins disappeared. How Desiree never wanted to be a part of the town that was her birthright. How she felt that you could flick away history like shrugging a hand off your shoulder. You can escape a town, but you cannot escape blood. Somehow, the Vignes twins believed themselves capable of both.
And yet, if Alphonse Decuir could have strolled through the town he'd once imagined, he would have been thrilled by the sight of his great-great-great-granddaughters. Twin girls, creamy skin, hazel eyes, wavy hair. He would have marveled at them. For the child to be a little more perfect than the parents. What could be more wonderful than that?
The Vignes twins vanished on August 14, 1954, right after the Founder's Day dance, which, everyone realized later, had been their plan all along. Stella, the clever one, would have predicted that the town would be distracted. Sun-drunk from the long barbecue in the town square, where Willie Lee, the butcher, smoked racks of ribs and brisket and hot links. Then the speech by Mayor Fontenot, Father Cavanaugh blessing the food, the children already fidgety, picking flecks of crispy chicken skin from plates held by praying parents. A long afternoon of celebration while the band played, the night ending in a dance in the school gymnasium, where the grown folks stumbled home after too many cups of Trinity Thierry's rum punch, the few hours back in that gym pulling them tenderly toward their younger selves.
On any other night, Sal Delafosse might have peeked out his window to see two girls walking under moonlight. Adele Vignes would have heard the floorboards creak. Even Lou LeBon, closing down the diner, might have seen the twins through the foggy glass panes. But on Founder's Day, Lou's Egg House closed early. Sal, feeling suddenly spry, rocked to sleep with his wife. Adele snored through her cups of rum punch, dreaming of dancing with her husband at homecoming. No one saw the twins sneak out, exactly how they'd intended.
The idea hadn't been Stella's at all-during that final summer, it was Desiree who'd decided to run away after the picnic. Which should not have been surprising, perhaps. Hadn't she, for years, told anyone who would listen that she couldn't wait to leave Mallard? Mostly she'd told Stella, who indulged her with the patience of a girl long used to hearing delusions. To Stella, leaving Mallard seemed as fantastical as flying to China. Technically possible, but that didn't mean that she could ever imagine herself doing it. But Desiree had always fantasized about life outside of this little farm town. When the twins saw Roman Holiday at the nickel theater in Opelousas, she'd barely been able to hear the dialogue over the other colored kids in the balcony, rowdy and bored, tossing popcorn at the white people sitting below. But she'd pressed against the railing, transfixed, imagining herself gliding above the clouds to some far-off place like Paris or Rome. She'd never even been to New Orleans, only two hours away.
"Only thing waitin for you out there is wildness," her mother always said, which of course, only made Desiree want to go even more. The twins knew a girl named Farrah Thibodeaux who, a year ago, had fled to the city and it sounded so simple. How hard could leaving be if Farrah, one year older than they, had done it? Desiree imagined herself escaping into the city and becoming an actress. She'd only starred in one play in her life-Romeo and Juliet in ninth grade-but when she'd taken center stage, she'd felt, for a second, that maybe Mallard wasn't the dullest town in America. Her classmates cheering for her, Stella receding into the darkness of the gym, Desiree feeling like only herself for once, not a twin, not one half of an incomplete pair. But the next year, she'd lost the role of Viola in Twelfth Night to the mayor's daughter, after her father had made a last-second donation to the school, and after an evening sulking in the stage wing as Mary Lou Fontenot beamed and waved to the crowd, she told her sister that she could not wait to leave Mallard.
"You always say that," Stella said.
"Because it's always true."
But it wasn't, not really. She didn't hate Mallard as much as she felt trapped by its smallness. She'd trampled the same dirt roads her entire life; she'd carved her initials on the bottom of school desks that her mother had once used, and that her children would someday, feeling her jagged scratching with their fingers. And the school was in the same building it'd always been, all the grades together, so that even moving up to Mallard High hadn't felt like a progression at all, just a step across the hallway. Maybe she would have been able to endure all this if it weren't for everyone's obsession with lightness. Syl Guillory and Jack Richard arguing in the barber shop about whose wife was fairer, or her mother yelling after her to always wear a hat, or people believing ridiculous things, like drinking coffee or eating chocolate while pregnant might turn a baby dark. Her father had been so light that, on a cold morning, she could turn his arm over to see the blue of his veins. But none of that mattered when the white men came for him, so how could she care about lightness after that?
She barely remembered him now; it scared her a little. Life before he died seemed like only a story she'd been told. A time when her mother hadn't risen at dawn to ride buses clean to white people's houses or taken in extra washing on the weekends, clotheslines zigzagging across their living room. The twins used to love hiding behind the quilts and sheets before Desiree realized how humiliating it was, your home always filled with strangers' dirty things.
"If it was true, then you'd do something about it," Stella said.
She was always so practical. On Sunday nights, Stella ironed her clothes for the entire week, unlike Desiree, who rushed around each morning to find a clean dress and finish the homework crushed in the bottom of her book bag. Stella liked school. She'd earned top marks in arithmetic since kindergarten, and during her sophomore year, Mrs. Belton even allowed her to teach a few classes to the younger grades. She'd given Stella a worn calculus textbook from her own Spelman days, and for weeks, Stella lay in bed trying to decipher the odd shapes and long strings of numbers nestled in parentheses. Once, Desiree flipped through the book, but the equations spanned like an ancient language and Stella snatched the book back, as if by looking at it, Desiree had sullied it somehow.
Stella wanted to become a schoolteacher at Mallard High someday. But every time Desiree imagined her own future in Mallard, life carrying on forever as it always had, she felt something clawing at her throat. When she mentioned leaving, Stella never wanted to talk about it.
"We can't leave Mama," she always said, and chastened, Desiree fell silent. She's already lost so much, was the part that never needed to be said.
On the last day of tenth grade, their mother came home from work and announced that the twins would not be returning to school in the fall. They'd had enough schooling, she said, easing gingerly onto the couch to rest her feet, and she needed them to work. The twins were sixteen then and stunned, although maybe Stella should have noticed the bills that arrived more frequently, or Desiree should have wondered why, in the past month alone, their mother had sent her to Fontenot's twice to ask for more credit. Still, the girls stared at each other in silence as their mother unlaced her shoes. Stella looked like she'd been socked in the gut.
"But I can work and go to school too," she said. "I'll find a way-"
"You can't, honey," her mother said. "You gotta be there during the day. You know I wouldn't do this if I didn't need to."
"I know, but-"
"And Nancy Belton got you teachin the class. What more do you need to learn?"
She had already found them a job cleaning a house in Opelousas and they would start in the morning. Desiree hated helping her mother clean. Plunging her hands into dirty dishwater, stooping over mops, knowing that someday, her fingers would also grow fat and gnarled from scrubbing white folks' clothes. But at least there would be no more tests or studying or memorizing, no more listening to lectures, bored to tears. She was an adult now. Finally, life would really begin. But as the twins started dinner, Stella remained silent and glum, rinsing carrots under the sink.
Product details
- Publisher : Riverhead Books; Eighteenth Printing edition (June 2, 2020)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 0525536299
- ISBN-13 : 978-0525536291
- Item Weight : 2.31 pounds
- Dimensions : 6.22 x 0.82 x 9.2 inches
- Best Sellers Rank: #23,404 in Books (See Top 100 in Books)
- #576 in Coming of Age Fiction (Books)
- #1,188 in Women's Domestic Life Fiction
- #2,350 in Literary Fiction (Books)
- Customer Reviews:
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About the author

Born and raised in Southern California, Brit Bennett graduated from Stanford University and earned her MFA in fiction at the University of Michigan, where she won a Hopwood Award in Graduate Short Fiction as well as the 2014 Hurston/Wright Award for College Writers. She is a National Book Foundation "5 under 35" honoree, and her essays are featured in The New Yorker, The New York Times Magazine, The Paris Review, and Jezebel.
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Learn more how customers reviews work on AmazonCustomers say
Customers praise the novel's masterful storytelling, clever writing, and fully developed characters, while appreciating how it examines complex issues of race, particularly addressing colorism in the African American community. Customers find the book thought-provoking, with one review noting its layers of meaning. The pacing receives mixed reactions - while some find it fast-moving, others say the first quarter is slow. The ending also divides opinions, with several customers expressing dissatisfaction.
AI-generated from the text of customer reviews
Customers praise the book's masterful storytelling, finding it a compelling read that holds them to the story.
"...but it was brief and insignificant, surpassed by the moving, poignant story. Later to become an HBO limited miniseries. 4.5 rounded up" Read more
"...author introduces a new character, I think they did a good job giving them a brief background and their importance to the story, for example, Early..." Read more
"i couldn’t put this book down!! so amazingly done, i’ll read anything else this author puts out...." Read more
"Best book ever! Could not put it down." Read more
Customers praise the writing quality of the book, describing it as compelling and well-crafted, with one customer noting its clever prose and another highlighting its beautiful dialogue.
"...They add dramatic and suspenseful effects. The literary devices like diction, syntax, and detail further added to these effects...." Read more
"...This is a great discussion novel, something that you can talk about with other people...." Read more
"...Bennett’s book is good fodder for that conversation." Read more
"...Her writing is skillful but doesn’t call attention to itself- a rare combination...." Read more
Customers find the book thought-provoking, with layers of meaning that make it intriguingly engaging. One customer notes how the author conjures people and places with clarity and depth, while another appreciates how it touches on real-life dilemmas.
"...But Bennett’s narrative is authentic and juicy, and not overplayed...." Read more
"...The story is told in the third person perspective and switches between times in multiple characters’ lives...." Read more
"The good: the subject matter and intellectual underpinnings of the book are definitely things worth considering and examining...." Read more
"...story with good strong characters, well-.paced plot and challenging questions...." Read more
Customers appreciate the character development in the book, noting that the characters are fully developed and numerous, with one customer highlighting how the author captures the affection between them.
"...The novel also examines feminism; a misgendered young man born a woman; the class system; and dissembling...." Read more
"...The author included a background for most characters so it was less challenging to understand their perspective...." Read more
"...her characters were beautifully written and beautifully complex" Read more
"...This is a character driven story, but the main complication here is race. As Desiree tells her husband, Mallard is a “colorstruck” place...." Read more
Customers appreciate how the book examines complex racial issues, particularly addressing colorism within the African American community and weaving racism throughout the narrative.
"In this multigenerational fable-like tale, racism and colorism intersect with the very core of identity...." Read more
"...Half by Brit Bennet, I was overall impressed with the coverage the author showed of everyone’s life...." Read more
"...It is these beautiful stories of African history that are often absent from other novels and books that discuss racism and the Black community...." Read more
"...deftly examines race, privilege, identity, social constructs, cultural restraints, what it is to hide and stay that way, and how an individual and..." Read more
Customers have mixed opinions about the book's ending, with some appreciating the intricately woven story of twins while others express dissatisfaction.
"...At the same time, the narrative itself is super disjointed. A specific example comes to mind here...." Read more
"...They add dramatic and suspenseful effects. The literary devices like diction, syntax, and detail further added to these effects...." Read more
"...This is not a story that is about place...." Read more
"This was a good story of twins and how similar but different they were...." Read more
Customers have mixed reactions to the book's enthralling nature, with some saying it kept them entranced and engaged until the end, while others found it boring and disappointing at the conclusion.
"...questions; THE VANISHING HALF explores them with mmersing and hypnotic skill, that will make you unlikely to forget this story or its author..." Read more
"...seemingly one purpose, has nowhere to go as a character and no real purpose in the book, which is a shame...." Read more
"...The book carried me along and kept me riveted and thinking about the time., places and an important issue it portrays. No social preaching here!..." Read more
"...The bottom line is that the book couldn't hold my interest and was a slog through the swamp in waders. But, hey, that was my personal experience...." Read more
Customers have mixed opinions about the pacing of the book, with some finding it fast-moving while others note that the first quarter is slow.
"...canned dialogue, but it was brief and insignificant, surpassed by the moving, poignant story. Later to become an HBO limited miniseries...." Read more
"...Though I felt that the story moved very slowly and that the author spent too much time switching between characters before getting to the peak, the..." Read more
"...of Desiree and Stella’s children, in this book intersect in important, moving, richly challenging ways, unlocking previously hidden away,..." Read more
"...I began to be bothered and then annoyed by the coincidences and improbable events. (Warning Some of them may be spoilers.)..." Read more
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A Must Read! Five Stars!
Top reviews from the United States
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- Reviewed in the United States on August 3, 2020In this multigenerational fable-like tale, racism and colorism intersect with the very core of identity. Identical twin sisters live in the (fictional) town of Mallard, Louisiana, a rural place that graces no map. Everyone is light in their Blackness—so light that a dark Black person will receive the full hostile treatment. Desiree and Stella are inseparable, but have distinctly different natures. Desiree is adventurous and bold; Stella is shy and intellectual.
The twins are traumatized when they witness their father dragged from their porch and lynched by a group of white men. Their perspective of the world is shattered, and the last of their naivete is scrubbed away. In 1968, the civil rights movement barely touches the periphery of Mallard, and Stella and Desiree, only sixteen, decide to run away to New Orleans. It was Desiree’s adventurous idea, but shy Stella is game, and they live there on a wing and a prayer.
Some months later, Stella passes for white to get a decent job. Shockingly, however, she stealthily leaves Desiree for the wider world as a White woman, a secret life that paradoxically frees Stella while keeping her imprisoned in her lie. Secrets can both build and destroy.
Bennett carries us back and forth from the 1940s to the latter 1990s, centering on the sisters but branching out to the next generation, and the one before. The novel also examines feminism; a misgendered young man born a woman; the class system; and dissembling. Stella pretends until her fake identity becomes real.
This could have been a heavy-handed story by a less imaginative author. But Bennett’s narrative is authentic and juicy, and not overplayed. Tragic as a premise, like the movie, Imitation of Life (yes, there were progressive filmmakers in 1934 and 1959), grief and loss are channeled with stinging delicacy. Stella lives a lie, even to her husband and daughter. Cruel irony asserts when the normally subdued Stella is outspoken at a neighborhood meeting, stating that they shouldn’t let “Negroes” move in. Fear of exposure makes her shameless.
Desiree returns to Mallard with her dark Black daughter, Jude, escaping an abusive marriage. Jude contends with spiteful colorism at school and around town and swiftly goes her own way and pursues a future. Desiree has a steady boyfriend there, another dark Black man who travels a lot for his work. The author’s character-driven plot kept me fully engaged in the story and voice—a limited omniscience that tethers the reader to each character. The author extends the metaphor and paradox fluidly; Stella’s daughter doesn’t feel authentic unless she is acting on stage.
A lazy author may depend on epiphanies to tell the tale, but Bennett doesn’t rely on derivative Hollywood scenes. OK, there’s ONE meetup that reeked of Oprah moments, but it isn’t the cardinal climax, anyway. In fact, there are several resolutions that aren’t resolute; instead, there are ongoing disclosures that refuse to wrap things up in just a scene or two. It is contoured, and time touches the characters with tolerance and regard. The psychological effects of each sister’s life are genuine and stirring.
A few incidental scenes read as if an editor suggested expediency, a bridge or transition, and the author (or editor) exerted canned dialogue, but it was brief and insignificant, surpassed by the moving, poignant story. Later to become an HBO limited miniseries.
4.5 rounded up
- Reviewed in the United States on February 27, 2024After reading The Vanishing Half by Brit Bennet, I was overall impressed with the coverage the author showed of everyone’s life. The story is told in the third person perspective and switches between times in multiple characters’ lives. At first, I was a bit confused but as I continued to read, things started to come together. The author included a background for most characters so it was less challenging to understand their perspective. These insights into their lives have a massive contribution to the plot of the story. They add dramatic and suspenseful effects. The literary devices like diction, syntax, and detail further added to these effects. Though I felt that the story moved very slowly and that the author spent too much time switching between characters before getting to the peak, the long-awaited climax helped build up suspense and the urge to continue reading. The story starts out with Desiree returning to her hometown, giving some information about the twins' past and why they left. The story then continues to switch between the lives of Desiree, Stella, and their daughters, Jude and Kennedy. When the author introduces a new character, I think they did a good job giving them a brief background and their importance to the story, for example, Early and Reese. These are two love interests in the story and are there as a companion to Desiree and Jude in their separate lives. I felt that the transition between the characters and the change in time happened too inconsistently and I sometimes found myself lost. For instance, when the author shifted perspectives between Jude and Kennedy. The story being told in a third-person perspective gave readers a chance to acknowledge each character’s thoughts and feelings. From a very young age, The twins experienced something very traumatic that had a major impact on their lives. The literary devices used create an obvious difference between the twins’ lives and add to the theme of the story. Desiree chooses to return to her censorious hometown and embrace the darker shade of her daughter’s skin while Stella pretends to be something she’s not and lives her life as a lie. I enjoyed reading the parallel storylines the author included and thought they added to the dramatic effect of the overall story. In conclusion, I found the book interesting. Everyone in the story had their own struggles and it made me acknowledge more all the things I am grateful for. Though both of the twins experienced trauma and loss, they were both able to overcome it and find love.
- Reviewed in the United States on April 3, 2025i couldn’t put this book down!! so amazingly done, i’ll read anything else this author puts out. her characters were beautifully written and beautifully complex
- Reviewed in the United States on March 19, 2025Best book ever! Could not put it down.
Top reviews from other countries
- Anantha NarayanReviewed in India on December 15, 2020
5.0 out of 5 stars Interesting plot, well-defined characters, beautiful writing
The Vanishing Half starts off in the fictional town of Mallard, which was built in 1848 by a person with mixed parentage for “men like him, who would never be accepted as white but refused to be treated as blacks”. Even as his black mother keeps him in the sun to darken his skin, he eventually marries a woman with lighter skin than even his own, hoping that future generations get lighter and lighter, “like a cup of coffee being steadily diluted with cream”, as Bennett puts it. This – the tussle between wanting to pass as white, for that meant to pass as free, and the fierce need to own and protect one’s racial identity – then forms the core of this novel.
Desiree and Stella are twin sisters and descendants of Mallard’s founder, physically identical but as different as chalk and cheese. Desiree is the more adventurous and rebellious of the two while Stella is the staider, and they run away from home at the age of sixteen – Desiree because she hates the pretentious town where people are “colorstruck” and Stella simply because she wants a better life. And as fate would have it, and due to individual choices that the sisters make, Desiree returns home while Stella passes as white and leads a life filled with lies.
The story spans about 40 years and touches upon three generations, with intertwining stories, and is filled with an interesting and well-fleshed out supporting cast – Early Jones, who had a childhood crush on Desiree but could not express it due to his color and who eventually becomes her main pillar of support, Desiree’s dark-skinned daughter Jude, who like her mother, is unforgiving of people who refuse to recognize their heritage, her boyfriend Reese who has been grappling with issues related to his sexuality and Stella’s daughter Kennedy, a Californian blonde, with a chequered relationship with her mother.
The contrast between Desiree and Stella is one of the most interesting aspects of the book, and also likely to be one of the most debated topics for any reading club. Ostensibly, the portrayal of Desiree seems more sympathetic and that of Stella seems somewhat cruel. But the story gradually reveals several layers to their characters. For example, it is unclear whether Desiree’s marriage to dark-skinned Sam is driven purely by love or to an extent by her hatred of what Mallard stood for and Stella’s behavior is partly explained by the racial and sexual violence witness by her during her childhood and teen years.
Finally, Bennett’s writing is top-notch – simple yet evocative. At one point, Stella, who spends nearly her entire life hiding things from everyone around her, notices her husband’s arousal and feels embarrassed for him as “she could think of nothing more horrifying than not being able to hide what she wanted” and metaphors such as these add to the reading pleasure!
Pros: Interesting plot, well-defined characters, beautiful writing
Cons: None really, unless this genre does not appeal to one
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J. K.Reviewed in Germany on May 18, 2023
5.0 out of 5 stars Schönes Buch als Geschenk
Ich habe das Buch als Geschenk bestellt und es kam sehr gut an. Der Preis ist fair. Kann ich empfehlen :)
- Amazon CustomerReviewed in Italy on September 17, 2021
4.0 out of 5 stars Loved this book
I loved this book, I read it while on holiday and it is highly recommended.
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takakoReviewed in Japan on May 22, 2021
5.0 out of 5 stars colored people
アメリカのルイジアナ州に Mallard という地図にもない小さな町がある。先祖代々比較的色の白い(light) 黒人だけが住む町で、darkな黒人たちとは一線を画している。
本書はこの町に住む Vignes 一家、Addele の一生を縦軸に、双子の娘、Stella と Desiree、そしてそれぞれの娘、Kennedy と Jude 物語である。1950年代から1990年代にわたっている。
Addele は夫が突然白人たちに襲われて目の前で殺害されて以来、Stella と Desiree を、掃除婦などをして働きながら育てる。2人は一見白人と見まがうほど肌の色は白く、美しく育つ。しかし貧しさと未来への展望が持てないままの暮らしに悩み、16歳のときに、母親を残して出奔する。ニューオーリンズの都会の片隅で、仕事をみつけ、肩を寄せ合って暮らすが、ある日 Stella は、Sorry, honey, but I've got to go my own way. というメモを残して、Desiree のもとからいなくなる。
その後の2人の人生、Stella はひたすら白人として通し、秘書の仕事をみつけ、そのオフィスのボスと結婚し、娘 Kennedy が生まれ、一見裕福な白人家庭の暮らしとなる。しかし常に Stella の心の奥底で脅かしているのは、自分のアイデンティティが発覚するのではないかという恐れである。
一方、Desiree は黒人の男と愛し合うようになり、彼と結婚し、生まれた Jude は、black そのものだった。やがて夫のDVに耐えかねて、Desiree はJudeを連れて、Mallard の母親のもとへ帰る。14年ぶりの娘を母 Adelle は暖かく迎える。Stella のことも母の心には残っていて、晩年アルツハイマーにかかった彼女は、Desiree を Stella と混同したりするのだ。
Desiree を遠くから見守り、時々現れて助けてくれる、幼なじみの黒人、Early Jones の存在は、貴重だ。
Mallard で唯一の「黒人」として辛い思いもしながら育った Jude は、その類まれな駿足を見い出されてカリフォルニア大学の奨学生として、新しい生活に旅立っていく。一方「白人」のkennedy は、母の苦悩も知らず、女優としての道を追い求め、自由奔放に暮らし、ステージに立つようになる。
この従姉妹どうしである2人はどこかで出会うことはあるのだろうか。そして5人の女たちの行末には何が待ち受けているのだろうか。読み進めていくうちに興味は増していく。
Adelle を始めとして、3世代、5人の女たちの人生、彼女たちと関わる男たちとの愛や友情、あれこれのできごとが、当時の社会状況を背景に描かれ、読み応えのある物語となっている。そして、その物語の根底にあるのは、アメリカ社会のなかに根深く存在している黒人に対する人種差別意識である。少しでも黒人の血が混じっていれば(mulatto, quadroon など)、外観は白人と変わらなくても、あくまで「黒人」なのである。
Philip Ross の The Human Stain (映画の邦題「白いカラス」)を思い起こす。当事者にもアメリカ社会全体にも、その意識が奥深くに存在し続けて消えないのは、驚くばかりである。
最近では、イギリスのハリー王子とメーガン妃の間に子どもが生まれるとわかったとき、英王室でとりざたされたという会話も、同質の意識から生じている。
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Karina Perez DepresbiterisReviewed in Brazil on December 30, 2024
5.0 out of 5 stars Bom
Bom