Name: God’s Country
Brand: Chat Pile

Bonus disc

Bonus disc: No

Catalogue number

FR 129

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2022-07-29

Signed copies

Signed copies: No

Supplier US

Revol­ver

Tax rate US

Sales:8.875

UPC / Barcode

733102722616

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Total Cap

1 / Black / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

FR 129 MC

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Tape

1 / Extended format: No / Rough Trade Exclusive: No / Signed copies: No / Tape

FR 129 CD

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733102722623

{"blocks": [{"data": {"text": "733102722623"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Chat Pile

Genre US

Metal

Label US

Flenser

A noise rock/post-hardcore band from Oklahoma City, OK, Chat Pile is known for their intense and raw sound. With Raygun Busch on vocals, Luther Manhole on guitar, Stin on bass, and Cap'n Ron on Yamaha DTXPLORER, they create a unique blend of chaotic melodies and powerful lyrics.

Formed in [year], Chat Pile has quickly gained a reputation for their energetic live performances and thought-provoking songwriting. Their music captures the essence of the underground punk scene while pushing boundaries with experimental elements.

Drawing inspiration from bands like The Jesus Lizard and Big Black, Chat Pile's music is characterized by dissonant guitar riffs, pounding drums, and aggressive vocals. Their songs tackle themes of societal issues, personal struggles, and existential introspection.

Pitchfork Albums of the Year 2022

Back In Stock

Most anticipated debut full-length from Oklahoma-based noise rock band, Chap Pile. 

Multiple vinyl pressing of the band’s EPs on cult noise rock label Reptilian Records have quickly sold out. There’s a sick irony to how a country that extols rhetoric of individual freedom, in the same gasp, has no problem commodifying human life as if it were meat to feed the insatiable hunger of capitalism. If this is American nihilism taken to its absolute zenith, then God’s Country, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept. Having lived alongside the heaps of toxic refuse that the band derives its name from, the fatalism of daily life in the American Midwest permeates throughout the works of Chat Pile, and especially so on its debut album.

Exasperated by the pandemic, the hopelessness of climate change, the cattle shoot of global capitalism, and fuelled by “...lots and lots and lots and lots and lots and lots of THC,” God’s Country is as much of an acknowledgement of the Earth’s most assured demise as it is a snarling violent act of defiance against it. Within its over forty minute runtime, the album displays both Chat Pile’s most aggressively unhinged and contemplatively nuanced moments to date, drawing from its preceding two EPs and its score for the 2021 film, Tenkiller. In the band’s own words, the album is, at its heart, “Oklahoma’s specific brand of misery.” A misery intent on taking all down with it and its cacophonous chaos on its own terms as opposed to idly accepting its otherwise assured fall. This is what the end of the world sounds like.

God’s Country

Music US