Pakistani singer, composer, and producer Arooj Aftab creates a captivating blend of neo-Sufi, classical minimalism, jazz, electronic music, and other disparate styles. As a teenager in the early 2000s, she played a significant role in helping to develop her country's independent music movement, then moved to New York City, where she became active as a film composer at the end of the decade. Throughout the 2010s, Aftab's broad stylistic mix was reflected in her performances, which ranged from major venues like New York's Lincoln Center and Berlin's Haus der Kulturen der Welt to smaller jazz and indie rock clubs. Her choice of collaborators is similarly diverse and includes names like Esperanza Spalding, DJ /rupture, and Vijay Iyer. Her first two albums, 2014's Bird Under Water and 2018's Siren Islands, earned critical acclaim and in 2022, Aftab became the first-ever Pakistani artist to win a Grammy Award when the song "Mohabbat," from her third album Vulture Prince, took home the prize for Best Global Music Performance. She then collaborated with Iyer and Shahzad Ismaily for the 2023 full-length Love in Exile.

Aftab was born in Saudi Arabia, where her parents had emigrated. When she was ten, they moved back to Lahore, Pakistan, where she began to develop her interest in music. A self-taught singer and guitarist, her early influences ranged from western pop and jazz (Jeff Buckley, Billie Holiday, Mariah Carey) to Pakistani and North Indian classical music. With little access to western online platforms, Aftab's Internet savvy helped her become something of a rising star at home, where she enjoyed viral success in Pakistan's fledgling indie music scene.

In 2005, she moved to the U.S. and studied a combination of music production and engineering and jazz composition at Boston's famed Berklee College of Music. After graduating, Aftab relocated to New York and became active in the city's jazz and new music scenes while composing for and editing films.

By the early 2010s, Aftab's unusual blend of Sufi poetry, South Asian classical traditions, electronic music, and jazz had garnered critical praise from major sources like NPR and The New York Times. She self-released her first album, the ethereal Bird Under Water, in 2015, then signed with avant-garde label New Amsterdam Records, which issued her follow-up, Siren Islands, in 2018. In between the two, she continued to work in film, singing and composing on various soundtracks to Pakistani films, even winning an Emmy Award for her editing work on the 2017 documentary Armed with Faith. Aftab entered the gaming realm as well, composing the music and sound design for Eggnut Games' Backbone video game.

Released in 2021, her third album, Vulture Prince, became her highest-profile release yet, earning widespread acclaim and topping numerous critics' year-end lists. The transcendent "Mohabbat" was the album's breakout star, earning enthusiastic praise and a playlist spot from Barack Obama; it won the 2022 Grammy Award for Best Global Music Performance. The album's deluxe edition, issued by Verve, included the Anoushka Shankar collaboration "Udhero Na." Love in Exile, an album of lengthy chamber jazz pieces recorded with Vijay Iyer and Shahzad Ismaily, was released to similar acclaim in 2023. ~ Timothy Monger

Vijay Iyer is one of the most celebrated jazz musicians of his generation. A composer, pianist, electronic musician, professor, and software developer, he is credited with taking jazz improvisation and composition to entirely new levels. A bandleader as well as a constantly in-demand sideman, he has led several distinct combos including Spirit Complex, the Poisonous Prophets, and the Vijay Iyer Trio, who all appeared on Memorophilia, his 1995 debut album on Asian Improv. Iyer has worked with dozens of acclaimed musicians including Butch Morris, William Parker, Wadada Leo Smith, and Roscoe Mitchell. In addition to leading bands, he has also recorded solo. 2003's Blood Sutra was hailed as a perfect fusion of Indian Carnatic styles, post-bop, and modal jazz. His 2009 offering, Historicity, was nominated for a Grammy in the Best Instrumental Jazz Album category. Iyer won a Doris Duke Performing Artist Fellowship in 2012 and was named a MacArthur Fellow in 2013. The following year he was appointed to a full professorship in Harvard University's music department. 2015's trio outing Break Stuff was heralded as a boundary-breaking achievement, and 2019's Transitory Poems, a collaborative release with Craig Taborn, was hailed as a provocative statement from two of the world's most forward-thinking jazz pianists. That year, Iyer also recorded a trio set for ECM with drummer Tyshawn Sorey and bassist Linda May Han Oh; it was released in 2021 as Uneasy. They re-teamed for 2024's Compassion.

Iyer was born in Albany and raised in Fairport, New York. The son of Indian Tamil immigrants, he began studying violin at age three and received 15 years of training. As a child he began playing piano by ear. In college he received undergraduate degrees in mathematics and physics at Yale, then attended the University of California, Berkeley to earn a doctorate in physics. He continued to pursue music, however, playing in various ensembles, and in 1994 he began working with Coleman and composer, improviser, trombonist, and electronicist George Lewis. In 1995, while pursuing a doctorate in musical cognition, he issued Memorophilia, which included participation from Coleman and Lewis, as well as guitarist Liberty Ellman in a variety of musical settings. He played shows in the Bay Area, and toured with Coleman and others, cutting his sophomore outing Architextures with an octet in 1998.

By the time of Panoptic Modes' release in late 2001, Iyer had a working quartet with alto saxophonist Rudresh Mahanthappa, bassist Stephan Crump, and drummer Derrek Phillips. Phillips gave way to Tyshawn Sorey, and the quartet released Blood Sutra in 2003. Also that year, Iyer worked with hip-hop's Mike Ladd and In What Language?, an examination of the often-dehumanizing aspect of international travel in a post-9/11 world. He continued working with Mahanthappa and Ladd, appearing on Mahanthappa's Mother Tongue in 2004 and Ladd's Negrophilia: The Album in 2005 before releasing his own Reimagining, also in 2005. He was back with Mahanthappa for 2006's Raw Materials and Ladd for 2007's Still Life with Commentator. Tragicomic appeared in 2008.

During this same time period, Iyer was composing for orchestra ("Interventions," 2007, with the American Composers Orchestra) and string quartet ("Mutations I-X," 2005, for the string quartet Ethel) as well as for theater (Betrothed, 2007) and film (Teza, 2008). He performed regularly on piano and synth with Greg Tate's Burnt Sugar. Iyer's 2009 release, Historicity, was chosen as the number one Jazz Album of the Year by The New York Times, The Los Angeles Times, The Chicago Tribune, The Detroit Metro Times, National Public Radio, The Village Voice Jazz Critics Poll, and Down Beat's International Critics Poll, and was nominated for a 2010 Grammy for Best Instrumental Jazz Album (Iyer's first nomination and the first for an Indian-American in that category). The Vijay Iyer Trio (with Marcus Gilmore now in the drummer chair) won the 2010 Echo Award (Germany's Grammy equivalent) for Best International Ensemble, and the 2010 Down Beat Critics Poll for Best Small Ensemble. In 2010 he also released his first solo album (Solo) and was named 2010 Musician of the Year at the Jazz Journalists Association Jazz Awards.

Iyer kicked off 2011 with a new band called Tirtha, a trio with electric guitarist Prasanna and virtuoso tabla player Nitin Mitta. The group released a self-titled album on ACT early in the year and toured globally in support of it; the album appeared on many jazz critics' year-end lists. Iyer's piano trio with Gilmore and Crump returned to recording later in the year; they released Accelerando in March of 2012. In 2013, he collaborated with poet/spoken word artist Mike Ladd on Holding It Down: The Veterans' Dreams Project, and won a MacArthur Foundation Genius grant. Mutations, his debut for ECM, was released in March of 2014. Iyer had also been working with filmmaker Prashant Bhargava, composing and performing a score for a multimedia project focused on the eight-day Holi festival in Northern India. ECM released Radhe Radhe: Rites of Holi as a DVD in the fall. They reentered the studio in June and put a new album in the can. Break Stuff, the result of those sessions, was released in February of 2015. Iyer was named 2015-2016 Artist in Residence at New York City's Metropolitan Museum of Art and released A Cosmic Rhythm with Each Stroke, his third album for ECM, in duo with Wadada Leo Smith in March of 2016. The following year, he delivered the sextet date Far from Over, which featured cornetist Graham Haynes, saxophonist Steve Lehman, drummer Tyshawn Sorey, and others. In 2018, Iyer was again selected as Down Beat's Jazz Artist of the year.

Iyer and pianist Craig Taborn both played in Roscoe Mitchell's Note Factory for 2002's Song for My Sister on Pi Recordings, and worked with him separately afterwards. In 2018, they teamed for a live concert performance in Budapest at the Franz Liszt Recital Hall, improvising while paying tribute to influential figures who had passed away, including Cecil Taylor, Geri Allen, and Muhal Richard Abrams. The unedited concert was issued by ECM in March of 2019 as The Transitory Poems. 2019 also saw Iyer enter a New York recording studio with bassist Linda May Han Oh and drummer Tyshawn Sorey. Their collaborative sessions were released by ECM as Uneasy in 2021. Also that year, he joined trumpeter Wadada Leo Smith and drummer Jack DeJohnette for their trio album, Love Sonnet for Billie Holiday.

In 2023, Iyer, multi-instrumentalist Shahzad Ismaily, and vocalist Arooj Aftab teamed to record Love in Exile, a live-in-studio collection of songlike soundscapes created from couplets in Urdu poetry. Iyer returned to ECM for 2024's Compassion, leading the Han Oh and Sorey trio. ~ Jason Ankeny & Sean Westergaard

Multi-instrumentalist, producer, composer, and master improviser Shahzad Ismaily has become a much-sought-after session musician owing to his instrumental prowess and knowledge of the musics of many different cultures.

Ismaily was born in 1972 in Philadelphia to Pakistani immigrant parents. An outsider as a child due to his race and physical abnormalities (he was born with a rare genetic condition), he took solace in music. Largely self-taught, with innate deep intuition, he mastered a variety of instruments, including the electric and double bass, guitar, banjo, accordion, flute, drums, various analog synthesizers, and drum machines. He earned a master's degree in biochemistry from Arizona State University and traveled worldwide to study the music of different cultures, including Pakistan, India, Turkey, Mexico, Japan, Indonesia, Morocco, and Iceland.

After playing in bands during his college years, Ismaily moved to New York City in 2000 and opened his own studio, Figure Eight. Active in the fields of rock, jazz, and experimental music in the New York downtown scene, he has played on over 400 albums, collaborating with a staggering range of musicians, from Lou Reed, Marianne Faithfull, and Elvis Costello, through Oren Ambarchi, Bill Frisell, and John Zorn, to Laura Veirs, Feist, and Damien Rice. A member of the bands Ceramic Dog, Secret Chiefs Three, and Ex Eye, Ismaily also regularly composes for theater and film, including the 2008 Sundance winner Frozen River. He collaborated with Merz and Laraaji for the 2019 album Dreams of Sleep and Wakes of Sound, and with Arooj Aftab and Vijay Iyer on 2022's Grammy-winning Love in Exile. ~ John D. Buchanan