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Loving Sylvia Plath: A Reclamation Hardcover – July 9, 2024
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A New Yorker Best Book of 2024 • One of BookPage's Best Biographies of 2024 • One of Literary Hub's 50 Noteworthy Nonfiction Books of 2024 • A Times Literary Supplement Book of the Year
A nuanced, passionate exploration of the life and work of one of the most misunderstood writers of the twentieth century.
Sylvia Plath is an object of enduring cultural fascination―the troubled patron saint of confessional poetry, a writer whose genius is buried under the weight of her status as the quintessential literary sad girl. Emily Van Duyne―a superfan and scholar―radically reimagines the last years of Plath’s life, confronts her suicide and the construction of her legacy. Drawing from decades of study on Plath and her husband, Ted Hughes, the chief architect of Plath’s mythology; the life and tragic suicide of Assia Wevill, Hughes’s mistress; newly available archival materials; and a deep understanding of intimate partner violence, Van Duyne seeks to undo the silencing of Sylvia Plath and resuscitate her as the hardworking, brilliant writer she was.
6 illustrations- Print length320 pages
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateJuly 9, 2024
- Dimensions6.4 x 1.1 x 9.4 inches
- ISBN-101324006978
- ISBN-13978-1324006978
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Editorial Reviews
Review
― Lynne Feeley, The Nation
"Loving Sylvia Plath presents a difficult, brilliant, intensely personal and dazzlingly illuminating perspective on Plath’s work and mythology, and is hands down the most gripping thing I’ve read this year…The facts, as Van Duyne points out, have been hidden in plain sight all along. Buy her book, read it, believe it."
― Elizabeth Lowry, The Times Literary Supplement
"[Van Duyne] carefully, almost tenderly, combines research with experience."
― Bethanne Patrick, Los Angeles Times
"In Loving Sylvia Plath, Emily Van Duyne sets out to radically reimagine the last years of Plath’s life and recontextualize her legacy by undoing her silencing and exploring the brilliance of her work. This book is perfect for lovers of poetry and literary history alike."
― Michael Welch, Chicago Review of Books
"This impassioned reassessment of Sylvia Plath’s life and work blends feminist theory and biography to challenge various narratives that have dominated criticism of the poet since her suicide… Many of Hughes’s misdeeds (burning Plath’s journals, altering the manuscript of “Ariel”) are well-trod territory, but Van Duyne’s approach, in which she shows how certain publishers, critics, and biographers helped maintain some version of Hughes’s account, feels fresh and vital."
― New Yorker
"Van Duyne rejects any notion that Plath was a bad mother or merely a morbid poet. She maintains Plath ought to be remembered as a complicated woman, a formidable writer―one who outshined Hughes―and almost certainly a victim of domestic abuse."
― Krysta Fauria, Associated Press
"Impassioned… Effective in [its] takedown of the literary establishment that closed ranks around Hughes to protect him against feminist pushback from the 1970s on… Compelling and well argued."
― Wendy Smith, Boston Globe
"This disquieting debut from Van Duyne… examines how Ted Hughes’s physical and psychological abuse of his wife, Sylvia Plath, shaped her life, work, and legacy… [Loving Sylvia Plath is] an incriminating account exposing the depths of Hughes’s cruelty, this is sure to reignite debate in literary circles."
― Publishers Weekly
"A fresh melding of scholarly investigation and personal reflection."
― Kirkus
"[A] deeply researched analysis of how the popular myth of Plath’s life, one that subordinates her poetry to her depression and her suicide, was constructed by Hughes and maintained by critics from the time of her death in 1963 to the present."
― BookPage
"Emily Van Duyne takes a deeper look at Plath and does away with the trappings of her sad-girl persona―perpetuated, in many ways, by Plath's husband, the writer Ted Hughes―to focus on her accomplishments and the enduring power of her work. This book is part celebration and part repossession, looking at the writer on her own terms instead of through the lens for her that others have created."
― Adam Rathe, Town & Country
"[B]old and original… Ms. Van Duyne, a superb reader of both Plath’s writing and her biography, identifies key moments in a marriage that was violent from the beginning… Only a critic as steeped in the literature of Sylvia Plath could have produced such an innovative book."
― Carl Rollyson, New York Sun
"This is the best book I have read on Plath…and I have read them all."
― Denise Duhamel, Best American Poetry
"Van Duyne is a provocative and intriguing writer who understands both the visible and invisible forces that come to play upon women who refuse to cower into silence. She will leave many a female reader thinking about how they present themselves to the world and perhaps encourage them to think how they might do otherwise."
― Elaine Margolin, Book and Film Globe
"[Loving Sylvia Plath] examines the many myths surrounding the poet before taking them apart, wiping off the grime, and reconstructing a new vision of Plath for the future."
― Literary Hub
"Brilliant, lyrical, and moving, Loving Sylvia Plath is a riveting story of misogynistic abuse, gaslighting, and the way our culture protects treasured male heroes at the cost of female victims. A must-read for any feminist, any lover of literature, and anyone who simply values a gripping story."
― Kate Manne, author of Unshrinking
"Loving Sylvia Plath is indeed a reclamation, and one that not only centers, but in many ways, resurrects Plath’s own voice to speak her own truth."
― Gail Crowther, author of Three-Martini Afternoons at the Ritz
"Emily Van Duyne reveals Plath as she was: the best of her, the worst of her, the parts she hid in plain sight, the parts she made harder to find. I inhaled Loving Sylvia Plath: A Reclamation like (what else?) air."
― Jessica DeFino, Guardian columnist and beauty reporter
About the Author
Product details
- Publisher : W. W. Norton & Company (July 9, 2024)
- Language : English
- Hardcover : 320 pages
- ISBN-10 : 1324006978
- ISBN-13 : 978-1324006978
- Item Weight : 1.1 pounds
- Dimensions : 6.4 x 1.1 x 9.4 inches
- Best Sellers Rank: #373,265 in Books (See Top 100 in Books)
- #149 in Women Writers in Women Studies
- #284 in Coping with Suicide Grief
- #1,053 in Literary Criticism & Theory
- Customer Reviews:
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- Reviewed in the United States on March 25, 2025Sylvia Plath has been a long time tragic favorite of mine
- Reviewed in the United States on July 15, 2024I cannot recommend this book enough. For fans of Plath or the Plath curious, for feminists interested in how women's art can be revised and their lives repurposed by powerful men, for survivors of intimate partner violence, for anyone who wants to be engrossed in a riveting story spanning decades and starring a slew of compelling artists and academics (the chapter on Assia Wevill is particularly necessary, and Harriet Rosenstein emerges as a fascinating figure whose life was altered trying to tell Plath's story). Gorgeously written, exhaustively researched, I believe this book will change how we read Plath's work and life hereafter. And finally, insistently, expose Ted Hughes for the violent, scheming, misogynist he always was.
- Reviewed in the United States on March 9, 2025An unconventional view of Plath, I really liked it.
- Reviewed in the United States on December 9, 2024Well written. Personal experiences of the author are edifying. Liked it very much.
- Reviewed in the United States on October 22, 2024A stunning treatment of Plath beyond a mere victim of suicide. Beautifully written. I can't imagine reading better.
- Reviewed in the United States on October 25, 2024I read a little bit of Sylvia Plath in school, her poems, and a little bit about her life, Loving Sylvia Plath is not a biography, it is not for those who know nothing about Plath, it's for those who have read her and are attracted to her life, her poems, her legacy. It's a book about the author's death, the myth/cult that formed around her, and her impact on literary circles and women worldwide. It also talks about the reasons that led to her end, toxic partners, abuse, and misogynistic society, and intertwines it with contemporary topics, like the Me Too movement. the abusive relationship between Plath and Hughes is something that many women can sadly identify with, and is one of the reasons why Sylvia Plath is so important, her poems were very personal and raw, you can feel seen in her words.
The author's admiration for Plath is evident, it is a well-researched story that does not make Sylvia Plath a victim, nor does it justify her, it makes her a real person and empathizes with her. It is a tough, straight-to-the-point novel that doesn't hold back or sugarcoat anything. This reclamation provides information that other biographies do not include or do not take into account, it not only talks about Plath but also about Ted Hughes and his physical and psychological abuse, it emphasizes how normalized an abusive relationship is and how many of the actions are not seen as a red light, how it affects the mental health of the other person, no matter how brave and brilliant you are.
Despite the title, Sylvia is not the only protagonist, so are Ted Hughes and Assia Wevill, I didn't know much about her, apart from being the other woman, but it's refreshing to see another point of view than just seeing her as the villain. Hughes has never been my favorite, and now he is less so, how is it possible for him to have an impact on the figure of both women even decades after their deaths? It's an examination of Plath's life, in a way that I had not read before, it emphasizes the mistreatment, and it is a great analysis and a must for fans of the author.
Overall is a raw, emotional read, it is not very long but it is a hard story because of how realistic it is, read it if you are a fan of the author and want to go deeper about her, especially from a new perspective, more modern and from the female point of view.
Thanks for the copy TLC Book Tours and W. W. Norton & Company.
- Reviewed in the United States on August 17, 2024I’m an admitted Plathophile, so I read what people write. I mostly like all of them. Heather Clark and Carl Rollyson stand out, but yes if it’s about Sylvia I read it. I was looking forward to this, but gosh, it was short, and less about Sylvia, than about IPV. I certainly enjoyed the stories about that strange, mysterious woman, Harriet Rosenstein, but overall this was admirable scholarship, more than the life and times of Plath. To be fair, I suppose it’s quite hard to find anything new to say, and the author seems quite kindhearted.
- Reviewed in the United States on July 26, 2024This is a thoughtful, well researched work which includes the author's own bias as an admitted DV survivor. It is engaging and fresh, a great addition toPlath Scholarshp. Highly recommended for writers and lovers of Plath.
Top reviews from other countries
- S. L. AnthonyReviewed in the United Kingdom on August 5, 2024
5.0 out of 5 stars Brilliantly Insightful
A forensic examination of the volatile relationship between Ted Hughes and Sylvia Plath and the way in which Hughes destroyed, censored and manipulated Plath’s art in order to suit his own narrative that she was destined for death since childhood and sacrificed herself for her art, as if his behaviour towards her was an irrelevance. While there have long been rumours that Hughes abused Plath, Van Duyne shows how the evidence has been hiding in plain sight all along, particularly with regard to his relationships with other women he similarly abused. After Plath died intestate Hughes was in control of how her work would be presented to the world, revising the order of poems in Ariel so that her death appeared an inevitability, destroying any of her journals that painted him in a bad light and censoring those letters and journals he did choose to publish, if only because of the considerable money to be made. With his newfound wealth he was in a position of power and influence and able to threaten lawsuits if prospective biographers failed to toe the line. His friends and colleagues gathered round and painted Plath as jealous and possessive and her fans as deranged feminists, while also airbrushing Assia Wevill and her child from history. While I have no doubt that Plath could be a difficult person, Hughes was certainly not blameless. Hughes and Plath were each other’s match and could be seen as a modern day Cathy and Heathcliff. He was charismatic and women found him extremely sexually attractive. Capitalising on his new fame, which he had achieved due to Plath’s hard work and financial scrimping, he was an inveterate womaniser, yet one who still required a ‘sweet home base’ to return to. Van Duyne’s expert analyses of Ariel, Capriccio and Birthday Letters show how Hughes manipulated the memories of Plath and Wevill as fated by the stars to kill themselves, as if he was not responsible for abandoning them with their children. Van Duyne’s own experiences as a survivor of domestic abuse are particularly insightful to this exploration of Plath. 10/10!