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Cheap Land Colorado: Off-Gridders at America's Edge Hardcover – Deckle Edge, November 1, 2022
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“In these dispatches, [Conover] invites readers to ride shotgun along an unraveling edge of the American West, where sepia-toned myths about making a fresh start collide with modern modes of alienation, volatility, and exile.... In a nation whose edges have come to define its center, this is essential reading.”—Jessica Bruder, author of Nomadland: Surviving America in the Twenty-First Century
In May 2017, Ted Conover went to Colorado to explore firsthand a rural way of life that is about living cheaply, on your own land—and keeping clear of the mainstream. The failed subdivisions of the enormous San Luis Valley make this possible. Five-acre lots on the high prairie can be had for five thousand dollars, sometimes less.
Conover volunteered for a local group trying to prevent homelessness during the bitter winters. He encountered an unexpected diversity: veterans with PTSD, families homeschooling, addicts young and old, gay people, people of color, lovers of guns and marijuana, people with social anxiety—most of them spurning charity and aiming, and sometimes failing, to be self-sufficient. And more than a few predicting they’ll be the last ones standing when society collapses.
Conover bought his own five acres and immersed himself for parts of four years in the often contentious culture of the far margins. He found many who dislike the government but depend on its subsidies; who love their space but nevertheless find themselves in each other’s business; who are generous but wary of thieves; who endure squalor but appreciate beauty. In their struggles to survive and get along, they tell us about an America riven by difference where the edges speak more and more loudly to the mainstream.
- Print length304 pages
- LanguageEnglish
- PublisherKnopf
- Publication dateNovember 1, 2022
- Dimensions6.7 x 1.14 x 9.6 inches
- ISBN-100525521488
- ISBN-13978-0525521488
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Editorial Reviews
Review
“One of our great narrative journalists . . . Conover’s approach isn’t so much about pinning people down as letting them reveal themselves. He’s such a wry and nimble writer that much of the time this works, yielding rounded portraits that are full of ambiguity, anguish and contradiction.”—Jennifer Szalai, The New York Times
“Engrossing . . . Nothing motivates the journalist Ted Conover like a no-trespassing sign. . . . One of Conover’s strengths as a writer is that he is willing to let his subjects ‘say their piece.’ He is wonderfully open to people’s understanding of themselves, even when he sees the world very differently. . . . With his thorough and compassionate reportage, Conover conjures a vivid, mysterious subculture populated by men and women with riveting stories to tell. To read Cheap Land Colorado is to take a drive through a disquieting, beguiling landscape with an openhearted guide, windows down, snacks in the cooler, no GPS. It’s a ride I didn’t want to end.”—Jennifer Reese, The Washington Post
“Consistently interesting to read . . . Full of remarkable characters . . . Conover has a good eye for the particularity of life on the flats.”—Kathryn Schulz, The New Yorker
“A raw, revealing, and effective look at life on the rural perimeters of society.”—Julie Whiteley, Library Journal
“What sets Conover’s work apart is its engagement and its rigor, the care with which he embeds himself. Cheap Land Colorado is a case in point, a book that gains as it grows.”—David Ulin, Alta Journal
“[Cheap Land Colorado] is richly detailed and filled with empathy for those living life on the margins and the stunning landscape that surrounds them.”—Nicholas Hunt, 5280
“Over the years, Conover has mastered the difficult balance that first-person reportage requires; he is a character in the story — an observer, participant and narrator — but the story is not about him. . . . The strength of this book lies in Conover’s voice, confident, observant, nonjudgmental.”—Laurie Hertzel, Minneapolis Star-Tribune
“A unique take on journalism . . . [Conover] may have certain feelings about what people say or what he sees people do and, when appropriate, comments. But he continually strives to suspend judgment.”—Priscilla Waggoner, Alamosa Valley Courier
“Conover is deeply committed to telling the stories of the people he encounters on the prairie on their terms. . . . The United States will probably never fully understand itself, but with this book, Conover has contributed an important document toward the effort.”—Nicholas Mancusi, Amherst magazine
“Startingly honest . . . Cheap Land Colorado takes us into the experience of people in America who are up against it.”—Elizabeth Stice, Front Porch Republic
“A profound book that reads like a novel and will have you laughing a little and thinking a lot. The pathos that emerges from behind the dusty homes of the San Luis Valley is unlike anything that most will ever see – there is an enormous amount of love and humanity and raw courage in these people who have the guts to turn away from what we’ve become. I hope every American reads this book.”—James McBride, author of Deacon King Kong
“Cheap Land Colorado cements Conover among our greatest subcultural storytellers. In these dispatches, he invites readers to ride shotgun along an unraveling edge of the American West, where sepia-toned myths about making a fresh start collide with modern modes of alienation, volatility, and exile. Unflinchingly candid and eternally big-hearted, Conover brings the frontier and its denizens into focus without blurring any contradictions: splendor and brutality, freedom and deprivation, hospitality alongside a deep-seated unease. In a nation whose edges have come to define its center, this is essential reading.”—Jessica Bruder, author of Nomadland: Surviving America in the Twenty-First Century
“Ted Conover has produced an intimate, vivid, and deeply engrossing portrait of a modern American frontier. Amid the loneliness, crime, addiction, trauma, poverty, and social marginalization that Conover witnessed, he also discovered deep veins of generosity, tolerance, beauty, and love. The result is a moving chronicle of people whom few of us have encountered but whom all of us can recognize.”—Luke Mogelson, author of The Storm Is Here
“Ted Conover has made a career of entering forgotten or marginal American lives and being with those people until he knows them from the inside out. It takes a special empathy, not to say an extraordinary commitment of time, to accomplish his kind of reportage. It seems fundamentally an act of respect. In this account of some back-of-the-moon Colorado lives, he is never once above the folks about whom he is writing. I bet they would say so themselves. I couldn’t read the book fast enough.”—Paul Hendrickson, author of Hemingway’s Boat: Everything He Loved in Life, and Lost
“There are few writers as good as Ted Conover at capturing, all at once, the vulnerability and agency of real lives. Cheap Land Colorado is an attentive portrait of rural poverty—of people flung to the margins by an American game of roulette. It is a deeply honest and meticulously reported book, full of grit, humor, violence, beauty, and contradiction, set on the ever-shifting plain of our nation’s values.”—Sierra Crane Murdoch, author of Yellow Bird
“Ted Conover is a national literary treasure, a master of empathic storytelling and immersive reporting. In Cheap Land Colorado, he turns his gaze onto a corner of his home state that few tourists would notice: the harsh and beautiful San Luis Valley, the site of an old land swindle, now turned into a dice-throw of trailers and last chance houses scattered across the prairie, occupied by tough-minded people who don’t want to belong anywhere else. Conover moves in, slows down, breathes deep, listens and learns. A gorgeously observed portrait of the fringes of mainstream society.”—Tom Zoellner, author of Island on Fire
“Ted Conover has fashioned a career out of noticing the human landscapes many of us ignore. In Cheap Land Colorado, among the disenfranchised and the idealists, he invites us into a community where the border between surviving and thriving isn’t always clear. This work soars with the poetry of vast open spaces, and with people crafting rugged, intentional lives even as they face unknown futures. Cheap Land Colorado secures Conover’s place as one of the most gifted literary journalists working today.”—Rachel Louise Snyder, author of No Visible Bruises
“Ted Conover is the gold standard of narrative nonfiction.”—Sam Quinones, author of Dreamland
“Most Americans have never heard of the San Luis Valley: the huge, high, flat area at the headwaters of the Rio Grande. And most have never given a thought to the people there who live on the off-grid edge of American society, and what they might tell us about ourselves. As he has so often in the past, Ted Conover immerses himself in the lives of these forgotten men and women—and emerges with an unforgettable portrait of a slice of American society today.”—Charles C. Mann, author of 1491
“Sharp, balanced . . . With empathy, compassion, and skillful storytelling, Conover engagingly shares the dreams and realities of those he met and befriended, offering a window into a community that few readers will ever experience. A captivating portrait of a community on the fringes.”—Kirkus Reviews (starred review)
“Conover continues his own brand of immersion journalism. . . . [His] ability to depict all characters he encounters with grace and dignity shows a restraint that makes this a work to be devoured by readers from empty, forgotten places and beyond.”—Booklist
“Intriguing . . . Impressively detailed . . . Vivid biographical sketches fascinate.”—Publishers Weekly
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Cheap Land Colorado
We come for the scale of it.
—Linda Gregerson, “Sleeping Bear”
These times are too progressive. Everything has changed too fast. Railroads and telegraph and kerosene and coal stoves—they’re good to have but the trouble is, folks get to depend on ’em.
—Laura Ingalls Wilder, The Long Winterb
My first experience of the San Luis Valley came on a family car trip when I was eleven. We stayed on the paved roads, but even that was impressive. The Great Sand Dunes National Monument, now Great Sand Dunes National Park and Preserve, looked like fake scenery from a movie until we were in it. I was amazed by its origin story: grains of sand blown from one side of this huge expanse, about the size of New Jersey, had formed gigantic dunes on the other. The San Juan mountains to the west hold the remains of an enormous ancient supervolcano whose eruption was possibly the largest explosion in the earth’s geologic history.
When you grow up in a beautiful place that seems to lose some beauty to settlement (i.e., development) every year, you treasure the unchanged. The San Luis Valley still looks much as it did one hundred, or even two hundred, years ago. Blanca Peak, at 14,345 feet the fourth highest summit in the Rockies, overlooks a vast openness. Blanca, named for the snow that covers its summit most of the year, is visible from almost everywhere in the valley and is considered sacred by the Navajo. The range Blanca presides over, the Sangre de Cristos, forms the valley’s eastern side. Nestled up against the range just north of Blanca are the amazing sand dunes. The valley tapers to a close down in New Mexico, a little north of Taos. It is not hard to picture the Indigenous people who carved images into rocks near the rivers, or the Hispanic people who established Colorado’s oldest town, San Luis, and a still working system of communal irrigation in the southeastern corner, or a pioneer wagon train. Pronghorn antelope still roam, as do feral horses and the occasional mountain lion.
It’s also not hard to see a through line between the homesteaders of the nineteenth century and the people who move out there today. The land is no longer free, but it is some of the cheapest in the United States. In many respects, a person could live in this vast, empty space like the pioneers did on the Great Plains, except you’d have a truck instead of a wagon and mule, and some solar panels, possibly even a weak cellphone signal. And legal weed. By selling or bartering weed and picking up seasonal labor, you might even get by without having a job, though if you have no income, things can get tricky, especially when winter comes around. It would be extremely difficult to live completely off the land, especially out on the open prairie.
I left Colorado for college, and again for grad school, and finally for New York and my city-loving wife. But on my office wall hangs my last Colorado license plate, from 1990. Family kept me coming back on visits, and often I would meet up with old friends. One of these was Jay, whose family had a cozy A-frame cabin in Fairplay, Colorado, about an hour and a half from Denver in another high basin, this one called South Park. Mocked as a backwater by the animated TV series, South Park is a great foil to the busy, popular Interstate 70 corridor that leads to ski areas like Copper Mountain and Vail. It is windy, mostly treeless, and sparsely populated. Jay’s family A-frame was in trees at the valley’s edge, but it got famously cold there in the winter (and often even in the summer). We did a lot of cross-country skiing in the backcountry and joined up with friends for parties there, starting in high school and continuing for many New Year’s Eves after.
In 2016 a Denver magazine called 5280 asked me to write about South Park. Jay and I reconvened there for a few days. The “park” is very wide, and we wanted to visit areas we’d never seen before. A local offered directions to one particularly remote area, musing that “once you’re on 53, you will swear you’ll never find your way back.” We headed there the next afternoon and found a place nearly devoid of people that was overlaid with dirt roads from a moribund 1970s subdivision that had never taken off, just as in the San Luis Valley. This area, a few months before, had made the news as the home of a disturbed man named Robert Dear who had attacked a Planned Parenthood clinic in Colorado Springs, killing three people and injuring eight. The New York Times ran a photo of the little trailer he lived in on five acres. The trailer was surrounded by snow and miles of empty space, the very picture of isolation and desolation. I thought, What would it be like to live out there? What would drive you to it? Who would you get to know? How would you manage?
We saw some isolated trailers and shacks and assumed a handful of people were living off-grid. We heard from a teacher in Fairplay that some of the kids from that area had parents with pretty extreme religious views, which had created friction with the school district. We knew that the local sheriff’s department had recently had shoot-ups with white supremacists in remote parts of South Park. We had to pause, as we drove around, to wait for a herd of bison to finish crossing the dirt road we were on, leap over a fallen gate on the far side, and move into an empty field. We kept looking for a cowboy who might have sent them on their way, but they seemed to be on their own.
Denver and New York are complex urban areas. Out here, by contrast, it seemed that life must be simple, but how could I really know? That feeling of ignorance grew stronger a month later, in November, when Donald Trump was elected president of the United States. The day before, in New York, I had told a French radio station that Trump could never win the election. (Of course, I had plenty of company in this delusion.) The American firmament was shifting in ways I needed to understand, and these empty, forgotten places seemed an important part of that.
I told my sister about the place. In her work for a Denver-based foundation, she said, she had recently visited Alamosa, the San Luis Valley’s biggest town, and heard about off-grid settlement on a much larger scale. Staffers from a social service group called La Puente had shown her slides of how people were living out on “the flats” and told her about their Rural Outreach initiative; later she sent me some photos in a pdf file. I got in touch with La Puente, which had begun as a homeless shelter—one of the first rural homeless shelters in the country—founded by a nun. And then I visited.
Lance Cheslock, the executive director, showed me around, starting with lunch at the shelter. It’s a big old house on the humbler side of Alamosa, converted to allow for separate facilities for men, women (who get buzzed into their part of the upstairs), and families, for whom there are separate bedrooms. There are forty-five beds in all, but on this day in June, only twenty-six guests were registered. Most of the downstairs is a dining room and kitchen. The shelter was serving three meals a day, with lunch and dinner open to walk-ins from the community—but only after enough diners had signed up to clean the kitchen afterward. The AmeriCorps volunteer assigned to this task wasn’t having luck. Lance, a good persuader, took the clipboard from her and began walking down the queue, making it clear that nobody would be served until people were in place to clean up. Soon he had his volunteers, and not long after we sat down at a table for six, along with shelter clients and a staff person, the shelter’s director, Teotenantzin Ruybal.
Tona, as she was known, had grown up in the valley and had run the shelter for more than nine years. She was from one of the extended families that have been in the area for generations and identify as Hispanic. (The terms “Latino” and “Latinx” are less often used in the valley.) Her demeanor was on the gruff side—you can’t run a shelter if you’re a pushover—but it was clear from our conversation that she had a big heart and was deeply committed to helping the poor.
She explained the direct link between the shelter and the off-gridders I was interested in: “You’re living in a slum, and you see an ad about owning five acres for five thousand dollars, and you have a view of Blanca Peak—to them it’s an opportunity, it’s the savage wild, their piece of the rock.” People would come to the valley just to own their own place, free from landlords and utility bills. And free also from being judged: “Sometimes the attitude is, I’d rather live a rough life out there than live in town and be looked down on,” Tona explained.
“Regardless of if it’s a stupid choice, it’s their choice,” she continued. But it wasn’t always sustainable, because though they might be living on their own land they still were poor, with slender margins for surviving if things went wrong. Often, said Tona, they turned up at the shelter once it got cold and they saw how unforgiving the winter could be. The most durable off-gridders often had a fixed income of some sort—veterans’ benefits, for example, or Social Security disability payments—because otherwise it was hard to make a living. The flats were far from jobs, and getting to jobs required reliable transportation, which many lacked.
Tona’s partner, Robert, was a former corrections officer and sheriff’s deputy who had spent a year and a half as La Puente’s first Rural Outreach worker. That weekend Tona and Robert drove me out to the flats for a tour. We met in the little town of Antonito—the last town before the New Mexico border—on a day that was unusual because it was overcast. Tona and Robert lived outside town, in the countryside but not off-grid, with three Chihuahuas; one of them, Diego, came along for the ride. We rendezvoused at the Family Dollar store, where I parked my truck and transferred into their SUV.
Antonito was once a center for sheepherding and the wool trade and a stop on the Denver & Rio Grande Western railroad. It still had a bronze statue of Don Celedonio Mondragón, a labor organizer, next door to the empty onetime lodge of the Sociedad Protección Mutua de Trabajadores Unidos (SPMDTU), the union he founded for shepherds and farmworkers circa 1900. Amid some empty storefronts, Antonito had two marijuana stores, two liquor stores, a grocery store, and two good Mexican restaurants. It had the seasonal Cumbres & Toltec narrow-gauge railroad, a tourist draw, as well as a baroque outsider art structure known as Cano’s Castle. It had a small hotel with a tame pig that lived outside and wore a purple collar. But to me, the coolest thing about Antonito was what Tona and Robert were about to show me: its unsung status as a gateway to the flats.
From the Family Dollar, we crossed the tracks and headed east. Town quickly yielded to irrigated farmland. A huge center-pivot sprinkler shot water onto the road, forcing Tona to turn on the windshield wipers. Interspersed among humble houses were some very old mobile homes and, even older, some decaying one- and two-room adobe houses, their mud bricks slowly eroding away. The pavement ended at a small church, the Sagrada Familia Mission, past which a small bridge lifted the dirt road over an irrigation ditch, and then in a mile or two the irrigation ditch ran out, too: no more trees, no more agriculture, and not many fences. We entered a large tract administered by the Bureau of Land Management, and the horizon dropped lower and lower. Tona’s SUV shot over one cattle guard, then another, and another, now in a terrain of low sagebrush and chico bushes, a cloud of dust shooting up behind us. We were in a very pretty, gentle saddle between two sets of rounded hills, and the view kept getting wider and longer.
Finally, as we topped a rise, the whole of the giant San Luis Valley seemed to spread out in front of us. On the far eastern side were the still-snowcapped Sangre de Cristo Mountains, many of them higher than thirteen or fourteen thousand feet. The most prominent was Blanca Peak. Way to the south was rounded Ute Mountain, in New Mexico, which the valley extended into. Between them they cradled a huge volume of space that rested on a vast tawny plain that Tona and Robert called “the flats” and most locals, as I would learn, called “the prairie.”
The road ahead of us continued gently downhill toward a dark, narrow notch in the landscape that was the Rio Grande River. As we got closer, a pattern became visible on the flats—the same sort of giant grid I had seen in South Park. These roads had been cut across the land as part of a real estate scheme in the 1970s. Closer yet and a few dwellings and former dwellings came into view, most of them trailers, some of them trailers augmented with small additions. Tona braked as the road narrowed to a one-lane iron bridge, the Lobatos Bridge, built in 1892. Its deck was two long courses of thick wooden planks that thumped and creaked as we drove slowly over them, with the Rio Grande River below, mostly shallow, its canyon not deep.
The area had been Robert’s Rural Outreach beat for over a year, until January 2017, when he hurt himself on the job lifting heavy boxes of food. (Matt Little was just getting started at this point.) Robert hadn’t been back in five months, and as we drove up from the river and onto a road he used to visit, he marveled at the several dwellings that had appeared since the winter, and at what had been abandoned. Several times he referred to what I heard as “groves” behind wooden fences or in temporary greenhouses; I pictured fruit trees. But when I asked for more details, Robert explained that he was referring to people’s “grows”—shorthand for marijuana gardens. The option of being able to grow marijuana legally had attracted many residents to the area, he explained. Those with medical marijuana permits could grow up to ninety-nine plants. The limit for others was six, which was often exceeded without legal consequence.
Product details
- Publisher : Knopf; First Edition (November 1, 2022)
- Language : English
- Hardcover : 304 pages
- ISBN-10 : 0525521488
- ISBN-13 : 978-0525521488
- Item Weight : 1.3 pounds
- Dimensions : 6.7 x 1.14 x 9.6 inches
- Best Sellers Rank: #250,505 in Books (See Top 100 in Books)
- #89 in Sociology of Rural Areas
- #196 in Human Geography (Books)
- #1,949 in Sociology Reference
- Customer Reviews:
About the author

Ted Conover is the author of several books including Newjack: Guarding Sing Sing (winner of the National Book Critics Circle Award and a finalist for the Pulitzer Prize) and Rolling Nowhere: Riding the Rails with America's Hoboes. His writing has appeared in The New York Times Magazine, The Atlantic, The New Yorker, Harper's and National Geographic. The recipient of a Guggenheim Fellowship, he is director of the Arthur L. Carter Journalism Institute of New York University. He lives in New York City.
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Customers find the book engaging and enjoyable from start to finish. They appreciate the author's perspective on life in a different setting than that of city dwellers. The beautiful, wild, and mysterious world is described as memorable. Readers appreciate the interesting cast of characters and their honest portrayal of life in the mountains.
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Customers find the book engaging and enjoyable to read. They describe it as a fascinating modern history that explores a beautiful, wild, and mysterious world.
"...It is quickly a thrilling portrait. “It was a beautiful, wild and mysterious world,” the author writes, “home to the semi-destitute.”..." Read more
"I really enjoyed reading this “modern history.” It’s hard to imagine people living life off the grid in our modern society...." Read more
"...Informational and fun to read, with an interesting cast of characters." Read more
"...Conover manages to blend the good, the bad, the ugly, and the sublime." Read more
Customers find the book's perspective interesting. They describe it as a thrilling and interesting look at life from a different perspective than that of a city dweller. The prairies Conover describes are beautiful and often euphoric, making the book immersive and memorable.
"...It is quickly a thrilling portrait. “It was a beautiful, wild and mysterious world,” the author writes, “home to the semi-destitute.”..." Read more
"A look at life from a different perspective than that of a city dweller. Informational and fun to read, with an interesting cast of characters." Read more
"Interesting picture of a subset of America. Explores the hopes and dreams of all people." Read more
"A Real Life Fairy Tale..." Read more
Customers enjoy the book's world. They describe it as beautiful, wild, and mysterious. The author blends the good, the bad, the ugly, and the sublime.
"...It is quickly a thrilling portrait. “It was a beautiful, wild and mysterious world,” the author writes, “home to the semi-destitute.”..." Read more
"...The landscape is vast and stunning!..." Read more
"...Conover manages to blend the good, the bad, the ugly, and the sublime." Read more
Customers enjoy the character development. They find the characters realistic and interesting, with a hard life. The book is described as refreshing and honest.
"...Real people, really hard life." Read more
"...Informational and fun to read, with an interesting cast of characters." Read more
"...history, and land at the edge of the mountains is refreshing and honest. Conover manages to blend the good, the bad, the ugly, and the sublime." Read more
Top reviews from the United States
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- Reviewed in the United States on November 13, 2022In life we meet many people, skim the surface with most and dig down with only a few. Conover’s book reminds me that it’s the same with the regions and communities of the earth: most of them we pass by with only a glance. Cheap Land Colorado hovers over a vast, seemingly quiet terrain just north of New Mexico, then delves into what brings it alive, the people who live there.
It is quickly a thrilling portrait. “It was a beautiful, wild and mysterious world,” the author writes, “home to the semi-destitute.” And later: “I loved this place and how I felt in it. But I wasn’t sure that its beauty brought out goodness, our better selves....” The people he meets—and Conover is genius at meeting people—are “the restless and the fugitive; the idle and the addicted; and the generally disaffected, the done-with-what-we-were-supposed-to-do crowd.” They find a home on the dry, mountain-ringed flats of the San Luis valley, and their adjustments to life on those almost-empty plains, in an isolation most of them crave, is a constant foil to the rest of us. .
It’s that contrast that electrified me as I read the book. I live a country life myself, but nothing as stark and removed as what’s shown in Cheap Land Colorado. Society, Conover suggests, is “defined by the people out on the edge. Their ‘outsiderness’ helps define the mainstream.” Just so, the lives the author describes made me wonder about my own choices and those our country has made over the last century of mad development. The prairies Conover describes are beautiful, and often euphoric to him—but they are also “an antidote to civilization.” Those who go to live there don’t always find peace. Most often, it seems, they do not. But their struggles illuminate what each of us, and our entire nation, is going through. This book was a fascination from start to finish.
- Reviewed in the United States on February 4, 2024I really enjoyed reading this “modern history.” It’s hard to imagine people living life off the grid in our modern society. As a resident of Colorado, I have frequently driven on the paved roads adjoining the flats. The next time I’m that way, I’m going off road to see it more closely, being careful not to stray on personal property. Real people, really hard life.
- Reviewed in the United States on May 8, 2023A look at life from a different perspective than that of a city dweller. Informational and fun to read, with an interesting cast of characters.
- Reviewed in the United States on September 9, 2023While this is a fascinating topic, the book lacks the compelling plot of the best narrative nonfiction. Parts seem like a compilation of info without a cohesive arc.
- Reviewed in the United States on December 7, 2022An interesting look at the fringes of our society. I would have given it five stars if the author would have left his political biases out. His own narratives, on several occasions, showed the absurdity of his left leaning positions.
- Reviewed in the United States on December 26, 2022This beautifully written book does exactly what its title implies: it describes the habitat and inhabitants of a remote and open part of Colorado. The author, Ted Conover, like Orwell in ‘The Road to Wigan Pier’ and Tony Horwitz in “Confederates in the Attic”, gives us an eyewitness account of a part of the world and its denizens that we could find nowhere else. He learns from his experience and shares it: “Most seemed to be escaping more typical American lives that had become unsustainable, whether because of too many bills or too many disappointments:” and also: “I got to thinking how the needy are not always the good”. Hard to put down once you start. Highly recommended!
- Reviewed in the United States on August 26, 2023I felt the cold winters, the anxiety of dangerous encounters, and the warmth of community through Ted Conover's descriptions of San Luis Valley. I would recommend this book to anyone desiring a life off-grid through unbiased accounts of the life. I'll also be purchasing additional books by this author.
- Reviewed in the United States on April 29, 2023I drive through this area in southern Colorado and it was great to learn more about the people who live there.